Dive into the world of avant-garde jazz with Paul Bley's "Split Kick," a captivating album released on December 31, 2013, under the Wild Plantage label. This collection of 19 tracks, spanning a total of 68 minutes, is a testament to Bley's mastery of free jazz, cool jazz, and avant-garde styles. The album features a blend of original compositions and classic standards, each track offering a unique perspective on Bley's musical genius.
"Split Kick" opens with the energetic "52nd Street Theme," setting the stage for a journey through Bley's innovative soundscapes. The album includes standout tracks like "Autumn Breeze," "I Can't Get Started," and "Like Someone In Love," each showcasing Bley's distinctive piano playing and improvisational skills. The inclusion of holiday favorite "Santa Claus Is Coming To Town" adds a touch of whimsy to the collection, while tracks like "Opus One" and "Spontaneous Combustion" highlight Bley's experimental side.
The album also features collaborations with legendary musicians Art Blakey and Charles Mingus, adding depth and richness to the overall sound. Whether you're a longtime fan of Paul Bley or a newcomer to his music, "Split Kick" offers a compelling exploration of his artistic vision and musical prowess. The album's diverse tracklist and high-quality production make it a standout addition to any jazz enthusiast's collection.
Paul Bley, a pioneering figure in the jazz world, was a Canadian pianist and composer whose innovative spirit and technical prowess left an indelible mark on the genre. Born in Montreal in 1932, Bley's career spanned over six decades, during which he contributed significantly to the free jazz movement of the 1960s and pushed the boundaries of trio playing. His music, characterized by its deep originality and aesthetic aggression, has been celebrated for its thoughtfulness and intuitive commitment to advanced improvisation.
Bley's extensive discography includes influential recordings from the 1950s through to his solo piano works of the 2000s. He collaborated with some of the most influential musicians of his time, including Charlie Parker, Ornette Coleman, Sonny Rollins, and Pat Metheny. Beyond his work on the piano, Bley was also an early adopter of synthesizers, notably the Moog and ARP, incorporating them into his live performances and recordings.
His compositions often featured a blend of nostalgia and reflection, with a gentle hint of the blues, creating a compelling and deeply personal musical experience. Bley's legacy as one of the most influential jazz pianists and composers of the 20th century is undeniable, making him a founding father of avant-garde jazz.
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