"12 (+6) In a Row" is a captivating exploration of jazz in its purest and most avant-garde forms, presented by the legendary pianist Paul Bley. Released on January 1, 2008, via the esteemed label hatOLOGY, this album is a testament to Bley's mastery of the keyboard and his innovative approach to composition and performance. The album features a diverse range of tracks, including solos, duos, and trios, each offering a unique perspective on the jazz genre.
The 18-track album spans a total of 59 minutes, providing a rich tapestry of sounds that blend free jazz, cool jazz, and avant-garde elements. Bley's solo pieces showcase his technical prowess and improvisational skills, while the group sections, featuring collaborations with Hans Koch and Franz Koglmann, explore a delicate interplay of soft brass reveries and staccato reed-blasts, creating a haunting and atmospheric soundscape.
"12 (+6) In a Row" is not just an album; it's a journey through the mind of one of jazz's most influential figures. Whether you're a seasoned jazz enthusiast or a newcomer to the genre, this album offers a compelling introduction to the world of avant-garde jazz, showcasing Paul Bley's unique vision and unparalleled talent. The album's intricate compositions and masterful performances make it a standout release in Bley's extensive discography, highlighting his enduring impact on the jazz landscape.
Paul Bley, a pioneering figure in the jazz world, was a Canadian pianist and composer whose innovative spirit and technical prowess left an indelible mark on the genre. Born in Montreal in 1932, Bley's career spanned over six decades, during which he contributed significantly to the free jazz movement of the 1960s and pushed the boundaries of trio playing. His music, characterized by its deep originality and aesthetic aggression, has been celebrated for its thoughtfulness and intuitive commitment to advanced improvisation.
Bley's extensive discography includes influential recordings from the 1950s through to his solo piano works of the 2000s. He collaborated with some of the most influential musicians of his time, including Charlie Parker, Ornette Coleman, Sonny Rollins, and Pat Metheny. Beyond his work on the piano, Bley was also an early adopter of synthesizers, notably the Moog and ARP, incorporating them into his live performances and recordings.
His compositions often featured a blend of nostalgia and reflection, with a gentle hint of the blues, creating a compelling and deeply personal musical experience. Bley's legacy as one of the most influential jazz pianists and composers of the 20th century is undeniable, making him a founding father of avant-garde jazz.
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