Time Will Tell

Album Description

Dive into the world of avant-garde jazz with Paul Bley's "Time Will Tell," a masterful album recorded in January 1994 and released on ECM Records in January 1995. This captivating collection features the virtuoso pianist Paul Bley, alongside the innovative saxophonist Evan Parker and the renowned double bassist Barre Phillips. Together, they weave a tapestry of sound that spans the realms of free jazz, cool jazz, and avant-garde, creating an immersive experience that showcases the depth and breadth of their musical prowess.

"Time Will Tell" is a testament to the collaborative genius of its performers. The album's twelve tracks, including standout pieces like "Poetic Justice," "Above The Tree Line," and "Burlesque," offer a rich and dynamic listening experience. Each composition is a testament to the musicians' ability to push the boundaries of traditional jazz, resulting in a sound that is both experimental and deeply rooted in the genre's history.

The album's duration of one hour and six minutes allows for a comprehensive exploration of the trio's musical dialogue. From the intricate interplay between Bley's piano and Parker's saxophone to the steady, grounding presence of Phillips' bass, every moment is filled with nuance and depth. Whether you're a seasoned jazz enthusiast or a curious newcomer, "Time Will Tell" promises a rewarding and enriching experience.

1 januari 1995

℗ 1995 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

About Paul Bley

Paul Bley, a pioneering figure in the jazz world, was a Canadian pianist and composer whose innovative spirit and technical prowess left an indelible mark on the genre. Born in Montreal in 1932, Bley's career spanned over six decades, during which he contributed significantly to the free jazz movement of the 1960s and pushed the boundaries of trio playing. His music, characterized by its deep originality and aesthetic aggression, has been celebrated for its thoughtfulness and intuitive commitment to advanced improvisation.

Bley's extensive discography includes influential recordings from the 1950s through to his solo piano works of the 2000s. He collaborated with some of the most influential musicians of his time, including Charlie Parker, Ornette Coleman, Sonny Rollins, and Pat Metheny. Beyond his work on the piano, Bley was also an early adopter of synthesizers, notably the Moog and ARP, incorporating them into his live performances and recordings.

His compositions often featured a blend of nostalgia and reflection, with a gentle hint of the blues, creating a compelling and deeply personal musical experience. Bley's legacy as one of the most influential jazz pianists and composers of the 20th century is undeniable, making him a founding father of avant-garde jazz.