Nothing to Declare

Album Description

"Nothing to Declare" is a captivating solo piano album by the legendary Paul Bley, released in April 2004 on the Justin Time Records Inc. label. This album is a testament to Bley's mastery of free jazz and cool jazz, showcasing his unique improvisational skills and deep musical roots. Recorded in 2003, the album features four extended compositions that highlight Bley's wide-open approach to the piano, pushing the boundaries of traditional jazz.

The album opens with the title track, "Nothing to Declare," a nearly 19-minute exploration of sound and rhythm. This is followed by "Breakdown," a 15-minute piece that demonstrates Bley's ability to create intricate, knotty storytelling through his music. "Blues Waltz" offers a more melodic side of Bley, with a duration of just over 14 minutes, while "8th Avenue" wraps up the album with a concise yet powerful 8-minute performance.

Throughout "Nothing to Declare," Bley's fans will appreciate his signature style, characterized by his almost allergic aversion to printed music and his preference for spontaneous creation. The album is a great introduction for those who enjoy hearing a great improviser push himself, offering a raw and unfiltered look into the mind of a jazz master. With a total duration of 56 minutes, this album is a compelling listen from start to finish, showcasing the genius of Paul Bley.

April 1, 2004

2004 Justin Time Records

About Paul Bley

Paul Bley, a pioneering figure in the jazz world, was a Canadian pianist and composer whose innovative spirit and technical prowess left an indelible mark on the genre. Born in Montreal in 1932, Bley's career spanned over six decades, during which he contributed significantly to the free jazz movement of the 1960s and pushed the boundaries of trio playing. His music, characterized by its deep originality and aesthetic aggression, has been celebrated for its thoughtfulness and intuitive commitment to advanced improvisation.

Bley's extensive discography includes influential recordings from the 1950s through to his solo piano works of the 2000s. He collaborated with some of the most influential musicians of his time, including Charlie Parker, Ornette Coleman, Sonny Rollins, and Pat Metheny. Beyond his work on the piano, Bley was also an early adopter of synthesizers, notably the Moog and ARP, incorporating them into his live performances and recordings.

His compositions often featured a blend of nostalgia and reflection, with a gentle hint of the blues, creating a compelling and deeply personal musical experience. Bley's legacy as one of the most influential jazz pianists and composers of the 20th century is undeniable, making him a founding father of avant-garde jazz.