Not Two, Not One

Album Description

"Not Two, Not One" is a captivating jazz album by the renowned Canadian pianist Paul Bley, featuring the stellar accompaniment of American jazz bassist Gary Peacock and American jazz drummer Paul Motian. Released in February 1999 under the prestigious ECM Records label, this album is a testament to the trio's mastery of free jazz, cool jazz, and avant-garde styles.

The album spans a duration of approximately one hour and two minutes, offering a rich and immersive listening experience. With eleven tracks, including standout pieces like "Not Zero: In Three Parts," "Entelechy," and "Don't You Know," the album showcases the trio's exceptional improvisational skills and deep musical chemistry.

Paul Bley's unique piano style, characterized by its unpredictability and cubist flair, is a highlight of the album. His playing is complemented perfectly by Gary Peacock's subtle and nuanced bass lines and Paul Motian's intricate, often understated, drumming. The result is a cohesive and dynamic album that pushes the boundaries of traditional jazz.

"Not Two, Not One" is a remarkable addition to the discography of Paul Bley, Gary Peacock, and Paul Motian, and a must-listen for any jazz enthusiast. The album's intricate compositions and exceptional performances make it a standout release in the world of contemporary jazz.

12 februari 1999

℗ 1999 ECM Records GmbH, under exclusive license to Deutsche Grammophon GmbH, Berlin

About Paul Bley

Paul Bley, a pioneering figure in the jazz world, was a Canadian pianist and composer whose innovative spirit and technical prowess left an indelible mark on the genre. Born in Montreal in 1932, Bley's career spanned over six decades, during which he contributed significantly to the free jazz movement of the 1960s and pushed the boundaries of trio playing. His music, characterized by its deep originality and aesthetic aggression, has been celebrated for its thoughtfulness and intuitive commitment to advanced improvisation.

Bley's extensive discography includes influential recordings from the 1950s through to his solo piano works of the 2000s. He collaborated with some of the most influential musicians of his time, including Charlie Parker, Ornette Coleman, Sonny Rollins, and Pat Metheny. Beyond his work on the piano, Bley was also an early adopter of synthesizers, notably the Moog and ARP, incorporating them into his live performances and recordings.

His compositions often featured a blend of nostalgia and reflection, with a gentle hint of the blues, creating a compelling and deeply personal musical experience. Bley's legacy as one of the most influential jazz pianists and composers of the 20th century is undeniable, making him a founding father of avant-garde jazz.