Leisure Time

Album Description

Dive into the avant-garde world of jazz with Paul Bley's "Leisure Time," a captivating album released on September 12, 2014, under the LST Collector Series label. This 27-minute journey through the mind of a jazz pioneer features seven tracks that blend free jazz, cool jazz, and avant-garde elements seamlessly. Paul Bley, a Canadian jazz legend known for his significant contributions to the free jazz movement of the 1960s, delivers a performance that is as innovative as it is timeless.

The album kicks off with a playful rendition of "Santa Claus Is Coming To Town," followed by the intricate "Opus 1" and the energetic "Split Kick." Each track showcases Bley's mastery of the piano, pushing the boundaries of traditional jazz and inviting listeners to explore new sonic territories. Standout tracks like "Teapot" and "I Can't Get Started" highlight Bley's ability to blend melody and improvisation, creating a unique and engaging listening experience.

"Leisure Time" is a testament to Paul Bley's enduring legacy in the world of jazz. Whether you're a seasoned jazz enthusiast or a curious newcomer, this album offers a rich tapestry of sounds that will captivate and inspire. Don't miss out on the chance to experience the genius of Paul Bley with this remarkable collection of tracks.

September 12, 2014

2014 LST Collector Series

About Paul Bley

Paul Bley, a pioneering figure in the jazz world, was a Canadian pianist and composer whose innovative spirit and technical prowess left an indelible mark on the genre. Born in Montreal in 1932, Bley's career spanned over six decades, during which he contributed significantly to the free jazz movement of the 1960s and pushed the boundaries of trio playing. His music, characterized by its deep originality and aesthetic aggression, has been celebrated for its thoughtfulness and intuitive commitment to advanced improvisation.

Bley's extensive discography includes influential recordings from the 1950s through to his solo piano works of the 2000s. He collaborated with some of the most influential musicians of his time, including Charlie Parker, Ornette Coleman, Sonny Rollins, and Pat Metheny. Beyond his work on the piano, Bley was also an early adopter of synthesizers, notably the Moog and ARP, incorporating them into his live performances and recordings.

His compositions often featured a blend of nostalgia and reflection, with a gentle hint of the blues, creating a compelling and deeply personal musical experience. Bley's legacy as one of the most influential jazz pianists and composers of the 20th century is undeniable, making him a founding father of avant-garde jazz.