Moonlight In Vermont

Dive into the rich, melodic world of Sonny Stitt with "Moonlight In Vermont," a timeless jazz album released in 1977. This collection of seven tracks is a masterclass in bebop, hard bop, cool jazz, and acid jazz, showcasing Stitt's virtuosity on the saxophone. The album opens with the energetic "West 48th Street" and closes with the soulful "Blues For PCM," offering a diverse range of moods and tempos that keep the listener engaged from start to finish.

"Moonlight In Vermont" features some of the most beloved jazz standards, including the title track and "It Might As Well Be Spring," alongside original compositions like "Constellation" and "Flight Cap Blues." Each song is a testament to Stitt's improvisational skills and his deep understanding of jazz history.

Originally released on the Savoy label, this album has been reissued multiple times, including a Japanese pressing with detailed liner notes. The 1977 recording captures the essence of Stitt's later work, characterized by its clarity and precision, thanks to the advanced recording techniques of the time.

Whether you're a seasoned jazz enthusiast or a newcomer to the genre, "Moonlight In Vermont" offers a captivating journey through the world of jazz. The album's blend of classic standards and original compositions, combined with Stitt's exceptional playing, makes it a standout in his discography.

Sonny Stitt, born Edward Stitt in Boston and raised in Michigan, was a pioneering American jazz saxophonist renowned for his warm, distinctive tone and his mastery of the bebop and hard bop idioms. Nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, Stitt was known for his relentless touring and his preference for working with different musicians, rather than forming a permanent band. Initially, Stitt's style was compared to that of Charlie Parker, but he soon developed his own unique sound, particularly on the tenor saxophone. His extensive discography, featuring over 100 albums, showcases his versatility and innovation. Stitt's career spanned several decades, from establishing himself on the American jazz scene in the 1960s to making a significant impact on the UK jazz funk scene in the mid-1970s. He was also known for his sax duels with contemporaries like Dexter Gordon and Gene Ammons, further cementing his status as one of the finest bebop saxophonists of his era.