- Albums
- inter-action - sonny stitt
Inter-Action
- 1965
- 6 tracks
- 35 min
- bebop
Album Description
Dive into the vibrant world of jazz with "Inter-Action," a captivating collaboration between saxophonists Sonny Stitt and Zoot Sims. Recorded in Chicago in January 1965, this album is a testament to the rich musical heritage of the Windy City, capturing the essence of the early 1960s jazz scene. The duo, known for their dynamic performances, delivers a set that showcases their individual styles while blending seamlessly together.
"Inter-Action" features a stellar lineup of tracks, including the enchanting "My Blue Heaven" and the upbeat "The Saber." The album's six songs, all composed by Sonny Stitt except for two, offer a diverse range of moods and tempos, from the sultry "Fools Rush In" to the introspective "Look Down That Lonesome Road." Each piece is a masterclass in improvisation and musical conversation, highlighting the chemistry between Stitt and Sims.
Backed by a talented trio featuring pianist John Young, bassist Sam Kidd, and drummer Philip Thomas, the album benefits from a solid rhythmic foundation that allows the saxophonists to shine. The influence of jazz legends like Lester Young and Charlie Parker is evident in their playing, adding depth and authenticity to the performances.
Released on the Cadet label, "Inter-Action" is a gem for jazz enthusiasts and casual listeners alike. The album's 35-minute duration is packed with memorable moments, making it a standout in the discographies of both Sonny Stitt and Zoot Sims. Whether you're a fan of bebop, hard bop, or cool jazz, this album offers a rich and rewarding listening experience.
Tracks
- My Blue HeavenSonny Stitt, Zoot Sims
- The SaberSonny Stitt, Zoot Sims
- KateaSonny Stitt, Zoot Sims
- Fools Rush InSonny Stitt, Zoot Sims
- Look Down That Lonesome RoadSonny Stitt, Zoot Sims
- I Want To Go HomeSonny Stitt, Zoot Sims
About Sonny Stitt
Sonny Stitt, born Edward Stitt in Boston and raised in Michigan, was a pioneering American jazz saxophonist renowned for his warm, distinctive tone and his mastery of the bebop and hard bop idioms. Nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, Stitt was known for his relentless touring and his preference for working with different musicians, rather than forming a permanent band. Initially, Stitt's style was compared to that of Charlie Parker, but he soon developed his own unique sound, particularly on the tenor saxophone. His extensive discography, featuring over 100 albums, showcases his versatility and innovation. Stitt's career spanned several decades, from establishing himself on the American jazz scene in the 1960s to making a significant impact on the UK jazz funk scene in the mid-1970s. He was also known for his sax duels with contemporaries like Dexter Gordon and Gene Ammons, further cementing his status as one of the finest bebop saxophonists of his era.
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