Dumpy Mama

Dive into the rich, smoky world of jazz with Sonny Stitt's "Dumpy Mama," a captivating album released in January 1976. This gem from the legendary saxophonist is a testament to his enduring legacy in the jazz world, blending bebop, hard bop, cool jazz, and even a touch of acid jazz. Recorded in 1975 for the Flying Dutchman label, the album features five soulful tracks that showcase Stitt's virtuosity and his deep roots in the jazz tradition.

The album opens with "Jason," a track that sets the tone with its upbeat rhythm and Stitt's signature saxophone melodies. "Danny Boy For Ben" follows, offering a more introspective moment before the lively "Just Friends" picks up the pace. The title track, "Dumpy Mama," is a standout, showcasing Stitt's ability to blend complexity with accessibility. The album concludes with "It Might As Well Be Spring," a beautiful rendition of the classic standard that highlights Stitt's versatility.

"Dumpy Mama" is a 33-minute journey through the heart of jazz, featuring performances that are as timeless as they are captivating. Whether you're a longtime fan of Sonny Stitt or new to his music, this album is a wonderful addition to any jazz collection. The album's gatefold sleeve and the rich, warm sound quality make it a standout in Stitt's discography. Don't miss out on this opportunity to experience the genius of Sonny Stitt in all his glory.

Sonny Stitt, born Edward Stitt in Boston and raised in Michigan, was a pioneering American jazz saxophonist renowned for his warm, distinctive tone and his mastery of the bebop and hard bop idioms. Nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, Stitt was known for his relentless touring and his preference for working with different musicians, rather than forming a permanent band. Initially, Stitt's style was compared to that of Charlie Parker, but he soon developed his own unique sound, particularly on the tenor saxophone. His extensive discography, featuring over 100 albums, showcases his versatility and innovation. Stitt's career spanned several decades, from establishing himself on the American jazz scene in the 1960s to making a significant impact on the UK jazz funk scene in the mid-1970s. He was also known for his sax duels with contemporaries like Dexter Gordon and Gene Ammons, further cementing his status as one of the finest bebop saxophonists of his era.