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Der Wildschütz

Albert LortzingAlbert Lortzing
  • 1964
  • 35 tracks
  • 2 uur, 23 min
  • opera
Der Wildschütz - Albert Lortzing

Album Description

Immerse yourself in the timeless charm of Albert Lortzing's "Der Wildschütz," a beloved opera that has captivated audiences since its premiere in 1842. This 1964 recording, released on Warner Classics, offers a comprehensive and enchanting journey through Lortzing's masterful composition, performed by the esteemed Vienna State Opera Orchestra and Chorus under the skilled direction of conductor Heinz Wallberg.

"Der Wildschütz" is a delightful comic opera, freely adapted from a comedy by August von Kotzebue, and it showcases Lortzing's genius for blending humor, wit, and memorable melodies. The opera's lively score and engaging characters have made it a staple in German theaters for nearly two centuries.

This album features a stellar cast, including Georg Völker as Graf, Hilde Rössel-Majdan as Gräfin, Waldemar Kmentt as Baron, and Irmgard Seefried as Baronin, among others. Their performances bring depth and vitality to the characters, making the opera's humor and drama come alive.

The recording spans over two hours and twenty-three minutes, capturing the full richness of Lortzing's score. From the opening overture to the final ensemble, each track is a testament to the opera's enduring appeal. Highlights include the humorous "A, B, C, D, der Junggesellenstand tut weh" and the stirring "Auf des Lebens raschen Wogen," showcasing the opera's range from lighthearted comedy to poignant reflection.

"Der Wildschütz" is not just an opera; it's a celebration of Lortzing's unique talent for creating music that is both entertaining and deeply satisfying. Whether you're a seasoned opera enthusiast or new to the genre, this recording offers a delightful introduction to the world of Albert Lortzing and his timeless masterpiece.

© 1997 EMI Records Ltd℗ 1964 The copyright in this sound recording is owned by EMI Electrola GmbH. Digital remastering 1990 by EMI Electrola GmbH

Tracks

  1. Lortzing: Der Wildschütz: Ouvertüre (Moderato molto e maestoso - Allegro)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  2. Lortzing: Der Wildschütz, Act 1 Scene 1: No. 1, Introduktion, "Es lebe das Brautpaar! So munter und so fröhlich" (Gretchen, Baculus, Gast, Landleute)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  3. Lortzing: Der Wildschütz, Act 1 Scene 1: Lied, "A, B, C, D, der Junggesellenstand tut weh" (Baculus, Gretchen, Landleute)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  4. Lortzing: Der Wildschütz, Act 1 Scene 2: "Ein Schreiben vom Herm Grafen … Vom Herrn Grafen!" (Baculus, Landleute, Jäger)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  5. Lortzing: Der Wildschütz, Act 1 Scene 3: Dialog, "Grete! Grete! … Nun, was will er denn?" (Baculus, Gretchen)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  6. Lortzing: Der Wildschütz, Act 1 Scene 3: No. 2, Duett, "Lass er doch hören!" (Gretchen, Baculus)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  7. Lortzing: Der Wildschütz, Act 1 Scene 4: No. 3, Arie, "Auf des Lebens raschen Wogen" (Baronin)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  8. Lortzing: Der Wildschütz, Act 1 Scene 5: Dialog, "Frau Baronin, der Kutscher hat ausgespannt … Lass er mich in Ruhe" (Nanette, Baronin, Gretchen, Baculus)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  9. Lortzing: Der Wildschütz, Act 1 Scene 6: No. 4, Quartett, "Was meint Ihr, lieber Freund" (Baronin, Gretchen, Nanette, Baculus)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  10. Lortzing: Der Wildschütz, Act 1 Scene 7: Dialog, "Sagt mir, schönes Kind, ist denn das wirklich Euer Schatz? … Was! Führt er sich nicht ordentlich auf?" (Gretchen, Nanette, Baculus)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  11. Lortzing: Der Wildschütz, Act 1 Scene 9: No. 5, Jagdlied, "Seht dort den muntern Jäger" (Baron, Graf, Männer)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  12. Lortzing: Der Wildschütz, Act 1 Scene 9: Dialog, "Müde vom Jagen, Herr Bruder" (Graf, Baron)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  13. Lortzing: Der Wildschütz, Act 1 Scene 10: No. 6, Finale, "Lasset uns nach Hause gehen" (Landleute, Graf, Baron, Gretchen, Baculus, Baronin)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  14. Lortzing: Der Wildschütz, Act 1 Scene 12: "Bin ein schlichtes Kind vom Lande" (Baronin, Graf, Baron, Gretchen, Baculus, Landleute, Jäger)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  15. Lortzing: Der Wildschütz, Act 2 Scene 1: No. 7, Introduktion, "Strahl der Sonne, schönstes Licht … Nicht geplaudert! Acht gegeben! … Darf ich untertänigst wagen" (Pancratius, Baculus, Gräfin, Diener)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  16. Lortzing: Der Wildschütz, Act 2 Scene 2: Dialog, "Aber was hat denn das zu bedeuten, Herr Pancratius? … Nein, Herr Stallmeister" (Baculus, Pancratius, Gräfin, Baron)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  17. Lortzing: Der Wildschütz, Act 2 Scene 3: No. 8, Duett und Kavatine, "Bleiben soll ich und stets sie sehen … Auf dem Lande will ich bleiben" (Baron, Gräfin, Baronin)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  18. Lortzing: Der Wildschütz, Act 2 Scene 4: Dialog, "Der junge Mann macht mir Angst … Frau Gräfin, ich habe untertänigst zu melden … Strahle der Sonne" (Gräfin, Pancratius, Baculus)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  19. Lortzing: Der Wildschütz, Act 2 Scene 7: No. 9, Quintett, "Was seh ich! Mir aus den Augen!" (Graf, Baculus, Gräfin, Baron, Baronin)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  20. Lortzing: Der Wildschütz, Act 2 Scene 10: Dialog, "Schönes Kind … Der Herr Stallmeister möchten zu der Abendtafel kommen … Nun höre mich an, Gretchen" (Baron, Baronin, Baculus, Pancratius)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  21. Lortzing: Der Wildschütz, Act 2 Scene 12: No. 10, Duett, "Ihr Weib? … Mein teures Weib!" (Baronin, Baron)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  22. Lortzing: Der Wildschütz, Act 2 Scene 13: Dialog, "Das ist ein Wetterchen draussen" (Baculus, Baron, Graf, Baronin)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  23. Lortzing: Der Wildschütz, Act 2 Scene 14: No. 11, Quintett, "Ich habe Numro eins" (Baronin, Gräfin, Baron, Graf, Baculus)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  24. Lortzing: Der Wildschütz, Act 2 Scene 16: Dialog, "He, Schulmeister!" (Baron, Baculus)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  25. Lortzing: Der Wildschütz, Act 2 Scene 17: No. 12, Arie, "Fünftausend Taler!" (Baculus)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  26. Lortzing: Der Wildschütz, Act 3 Scene 1: No. 13, Rezitativ und Arie, "Wie freundlich strahlt die holde Morgensonne … Heiterkeit und Fröhlichkeit" (Graf)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  27. Lortzing: Der Wildschütz, Act 3 Scene 2: Dialog, "Sieh da, der Herr Graf" (Baron, Graf)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  28. Lortzing: Der Wildschütz, Act 3 Scene 3: No. 14, Ensemble, "Um die Laube zu schmücken zu Freude und Glanz" (Frauen, Graf, Baron)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  29. Lortzing: Der Wildschütz, Act 3 Scene 4: Dialog, "Nicht übel, meine Herren … Der Schulmeister Baculus wünscht den Herrn Stallmeister … Und nun lass er mich in Ruhe! … Baculus!" (Gräfin, Graf, Baron, Pancratius, Baculus, Gretchen)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  30. Lortzing: Der Wildschütz, Act 3 Scene 9: No. 15, Terzett, "Komm, liebes Gretchen, bekenne frei" (Gretchen, Baron, Baculus)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  31. Lortzing: Der Wildschütz, Act 3 Scene 10: Dialog, "Guten Morgen, Herr Stallmeister … Was ist das?" (Baron, Baronin, Gräfin, Graf)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  32. Lortzing: Der Wildschütz, Act 3 Scene 14: No. 16, Finale, "Was seh ich? … Alle Teufel!" (Gräfin, Graf, Baron, Baronin)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  33. Lortzing: Der Wildschütz, Act 3 Scene 14: Quartett, "Kann es im Erdenleben wohl Schön'res noch geben" (Gräfin, Graf, Baron, Baronin)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  34. Lortzing: Der Wildschütz, Act 3 Scene 15: "Unser Herr lebe hoch!" (Landleute, Graf, Baculus, Gretchen, Schuljugend, Gräfin, Baronin, Baron)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
  35. Lortzing: Der Wildschütz, Act 3 Scene 15: "O du, der du die Tugend selber bist" (Graf, Pancratius, Baculus, Gräfin, Baronin, Baron, Gretchen, Schuljugend, Landleute)Albert Lortzing, Robert Heger, Bavarian State Orchestra, Fritz Ollendorff
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About Albert Lortzing

Albert Lortzing, a multifaceted German artist, left an indelible mark on the world of opera with his versatile talents as a composer, librettist, actor, and singer. Born in 1801, Lortzing's career spanned various artistic disciplines, making him a key figure in the development of the German Spieloper, a form akin to the French opéra comique. His works, which include a dozen notable stage productions, are celebrated for their wit, charm, and deep connection to German national heritage. Despite a life cut short at the age of fifty, Lortzing's compositions continue to captivate audiences with their timeless appeal. Among his notable works are "Regina" and "Undine," each offering a unique blend of drama and musical innovation. Lortzing's legacy endures, inspiring both performers and enthusiasts alike with his rich and diverse contributions to the operatic canon.

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Albert Lortzing

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