Lortzing: Zar und Zimmermann

Album Description

Immerse yourself in the captivating world of opera with Albert Lortzing's masterpiece, 'Lortzing: Zar und Zimmermann'. Released on 4 March 2016 by The Art Of Singing, this enchanting album is a testament to Lortzing's skill as a composer. With a duration of 1 hour and 54 minutes, the album takes you on a journey through a rich tapestry of sound, showcasing the very best of the opera genre.

Featuring a wide range of tracks, including 'Zar und Zimmermann: Ouvertüre', 'Zar und Zimmermann: Greifet an und rührt die Hände (Chorus)', and 'Zar und Zimmermann: Sonst spielt' (Peter I.), this album is a must-listen for fans of opera. Lortzing's work is brought to life by a talented ensemble of singers, who deliver powerful and emotive performances that are sure to leave a lasting impression.

With its beautiful melodies and intricate harmonies, 'Lortzing: Zar und Zimmermann' is an album that will appeal to both seasoned opera enthusiasts and those new to the genre. So why not sit back, relax, and let the stunning music of Albert Lortzing transport you to a world of drama, passion, and beauty?

March 4, 2016

The Art Of Singing

About Albert Lortzing

Albert Lortzing, a multifaceted German artist, left an indelible mark on the world of opera with his versatile talents as a composer, librettist, actor, and singer. Born in 1801, Lortzing's career spanned various artistic disciplines, making him a key figure in the development of the German Spieloper, a form akin to the French opéra comique. His works, which include a dozen notable stage productions, are celebrated for their wit, charm, and deep connection to German national heritage. Despite a life cut short at the age of fifty, Lortzing's compositions continue to captivate audiences with their timeless appeal. Among his notable works are "Regina" and "Undine," each offering a unique blend of drama and musical innovation. Lortzing's legacy endures, inspiring both performers and enthusiasts alike with his rich and diverse contributions to the operatic canon.