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Yo No Canto Por Cantar

Mercedes SosaMercedes Sosa
Yo No Canto Por Cantar - Mercedes Sosa

Album Description

"Yo No Canto Por Cantar" is a captivating collection of folk music by the legendary Mercedes Sosa, originally released in 1966 and reissued in 2010. This album is a beautiful blend of genres, including trova, folklore argentino, nueva trova, Latin folk, and singer-songwriter styles, showcasing Sosa's powerful vocals and her deep connection to her cultural roots. With a runtime of just 35 minutes, the album is a concise yet impactful journey through some of the most poignant and politically charged songs of Sosa's early career. Tracks like "Canción Del Derrumbe Indio" and "Zamba Para No Morir" highlight her ability to weave storytelling and social commentary into her music. This reissue, released by Universal Music Argentina S.A., brings a classic piece of Latin American folk music to a new generation of fans, making it an essential addition to any music lover's collection.

© 2010 Universal Music Argentina S.A.℗ 2010 Universal Music Argentina S.A.

Tracks

  1. Zamba Para No MorirMercedes Sosa
  2. Canción Del Derrumbe IndioMercedes Sosa
  3. Los InundadosMercedes Sosa
  4. La SolitariaMercedes Sosa
  5. Zamba AzulMercedes Sosa
  6. Tonada De Manuel RodríguezMercedes Sosa
  7. Zamba Al ZafreroMercedes Sosa
  8. QuenaMercedes Sosa
  9. Mi Canto Es DistanciaMercedes Sosa
  10. Chayita Del VidaleroMercedes Sosa
  11. Canción Para Mi AméricaMercedes Sosa
  12. Zamba Del RiegoMercedes Sosa
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About Mercedes Sosa

Mercedes Sosa, affectionately known as "La Negra," was an iconic Argentine singer whose powerful voice resonated across Latin America and beyond. Born into humble beginnings in Tucumán, Argentina, Sosa's journey began at the age of 15 when she won a local radio contest, launching her into a career that would make her a symbol of social and political consciousness. With roots deeply embedded in Argentine folk music, she became a leading figure in the "Nuevo Cancionero" movement, giving voice to the struggles and aspirations of the common people. Her repertoire spanned a wide range of genres, including trova, Argentine folklore, nueva trova, and Latin folk, making her a beloved singer-songwriter. Sosa's unwavering commitment to her principles often put her at odds with oppressive regimes, earning her the title "the voice of the voiceless ones" and "the conscience of Latin America." Her timeless music continues to inspire and uplift, reflecting the rich cultural tapestry of Latin America.

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Mercedes Sosa

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