Willie 'The Lion' Smith's What Can I Do With A Foolish Little Girl Like You ?

Album Description

Dive into the vibrant world of early 20th-century American music with Willie "The Lion" Smith's "What Can I Do With A Foolish Little Girl Like You?" This 2006 compilation, released by Charly Records, is a treasure trove of ragtime, jazz, and boogie-woogie tracks that showcase the artistic prowess of one of the era's most influential pianists. The album is a concise yet powerful collection of eight original tracks, each offering a unique blend of rhythm and melody that will captivate any music enthusiast.

Willie "The Lion" Smith, a pioneer in the world of jazz piano, brings his signature style to this album, with tracks like "Wontcha Do It To Me" and "Three Blind Mice (See How They Swing)" demonstrating his mastery of the keyboard. The album's title track, "What Can I Do With A Foolish Little Girl Like You?", is a standout piece that highlights Smith's ability to blend humor and sophistication in his compositions.

With a total runtime of just over 22 minutes, this album is a perfect introduction to the work of Willie "The Lion" Smith. Whether you're a seasoned jazz aficionado or a newcomer to the genre, this album offers a delightful journey through the sounds of the past, with each track offering a glimpse into the rich musical heritage of the early 20th century. So, sit back, relax, and let the soulful sounds of Willie "The Lion" Smith transport you to a bygone era of musical innovation and creativity.

June 25, 2006

About Willie "The Lion" Smith

Willie "The Lion" Smith, born William Henry Joseph Bonaparte Bertholf Smith on November 23, 1893, was a pioneering American jazz and stride pianist who left an indelible mark on the Harlem jazz scene. Nicknamed "the Lion" for his bravery during World War I, Smith was one of the "big three" of stride piano, alongside James P. Johnson. With a career spanning six decades, he remained true to his unique style, blending ragtime, jazz, and boogie-woogie into a sound that was distinctly his own. Beyond his musical prowess, Smith was also known for his larger-than-life personality and his ability to speak Yiddish, even serving as a Cantor in Harlem. His discography is a testament to his enduring influence and innovation in jazz.