Dive into the rich musical landscape of Sergei Taneyev with this captivating album, featuring two of his most significant works. The album opens with "Ioann Damaskin (John of Damascus)," Op. 1, a cantata inspired by a poem from Aleksey Tolstoy. This piece marks a pivotal moment in Taneyev's career, as it was the first work he considered worthy of an opus number. The cantata is a profound exploration of faith and spirituality, showcasing Taneyev's mastery of vocal and orchestral writing.
The second half of the album is dedicated to Taneyev's "Suite de Concert," Op. 28, a brilliant display of his compositional prowess. This five-movement suite begins with a somber "Prelude" and culminates in a lively "Tarantella," with a standout "Theme and Variations" movement that offers a diverse range of moods and tempos. The suite is a testament to Taneyev's ability to blend classical forms with a distinctly Russian voice.
Recorded by the Russian Philharmonic Orchestra under the baton of Thomas Sanderling, with Ilya Kaler on violin and the Gnesin Academy Chorus providing vocal support, this album offers a comprehensive introduction to Taneyev's unique musical language. The performances are impeccable, bringing out the depth and nuance of Taneyev's scores. Whether you're a fan of Russian music or simply appreciate beautifully crafted compositions, this album is sure to delight. With a running time of just over an hour, it's an excellent way to spend time with one of the most important Russian composers of the late 19th and early 20th centuries.
2009 Naxos2009 Naxos
Tracks
Ioann Damaskin (John of Damascus), Op. 1: Idu v nevedomiy mne put' (I begin a journey into the unknown): Adagio ma non troppoSergei Taneyev, Gnesin Academy Chorus, Russian Philharmonic Orchestra, Thomas Sanderling
Ioann Damaskin (John of Damascus), Op. 1: No vechnim snom poka ya splyu (But while I sleep with the eternal sleep): Andante sostenutoSergei Taneyev, Gnesin Academy Chorus, Russian Philharmonic Orchestra, Thomas Sanderling
Ioann Damaskin (John of Damascus), Op. 1: V tot den', kogda truba (On the day when a trumpet): AllegroSergei Taneyev, Gnesin Academy Chorus, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: I. Prelude: GraveSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: II. Gavotte: Allegro moderatoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: III. Marchen (The Fairy Tale): AndantinoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Theme: AndantinoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Variation 1: Allegro moderatoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Variation 2: Allegro energicoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Variation 3: Tempo di valseSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Variation 4: Fuga doppia: Allegro moltoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Variation 5: Presto scherzandoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Theme and Variations: Variation 6: Tempo di mazurka, Allegro con fuocoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: IV. Final Variation and CodaSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling
Suite de concert, Op. 28: V. Tarantella: PrestoSergei Taneyev, Ilya Kaler, Russian Philharmonic Orchestra, Thomas Sanderling