Dive into the vibrant world of jazz and ragtime with Willie "The Lion" Smith's "Show Time," a captivating album that showcases the legendary pianist's extraordinary talent and timeless charm. Released on January 1, 2000, under the CoolNote label, this 28-minute collection is a delightful journey through the rich history of stride piano, featuring a mix of classic standards and original compositions that highlight Smith's unique style and virtuosity.
"Show Time" opens with the infectious energy of "What Is There To Say," setting the stage for a series of memorable performances that include the stormy intensity of "Stormy Weather," the playful elegance of "Tea For Two," and the sultry allure of "The Devil And The Deep Blue Sea." Smith's mastery of the keys is on full display as he navigates through these well-known tunes, infusing each with his signature swing and wit.
The album also features several standout tracks that showcase Smith's compositional prowess, such as the poignant ballad "Madelon" and the exuberant "Karnival On The Keys." His rendition of "Hallelujah" is a testament to his ability to blend spiritual depth with rhythmic complexity, while "Poor Butterfly" and "Smoke Gets In Your Eyes" demonstrate his knack for imbuing familiar melodies with fresh, unexpected twists.
A pioneer of the stride piano tradition, Willie "The Lion" Smith was known for his distinctive playing style, which combined intricate left-hand patterns with melodic right-hand improvisations. His influence on the world of jazz is immeasurable, and "Show Time" serves as a perfect introduction to his genius for both newcomers and longtime fans alike. Whether you're a seasoned jazz aficionado or simply looking to explore the roots of American music, this album is sure to captivate and inspire.
Willie "The Lion" Smith, born William Henry Joseph Bonaparte Bertholf Smith on November 23, 1893, was a pioneering American jazz and stride pianist who left an indelible mark on the Harlem jazz scene. Nicknamed "the Lion" for his bravery during World War I, Smith was one of the "big three" of stride piano, alongside James P. Johnson. With a career spanning six decades, he remained true to his unique style, blending ragtime, jazz, and boogie-woogie into a sound that was distinctly his own. Beyond his musical prowess, Smith was also known for his larger-than-life personality and his ability to speak Yiddish, even serving as a Cantor in Harlem. His discography is a testament to his enduring influence and innovation in jazz.
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