Lopes-Graça: Primeira Cantata do Natal

Album Description

Fernando Lopes-Graça's "Primeira Cantata do Natal" is a captivating choral album that invites listeners into the rich tapestry of Portuguese Christmas traditions. Released on December 3, 1978, under the label Edições Valentim de Carvalho, S.A., this album is a testament to Lopes-Graça's mastery of a cappella compositions. The album features 19 tracks, each a beautifully crafted piece that showcases the depth and versatility of choral music.

The album opens with "Pastorinhas do deserto," setting a serene and contemplative tone that carries through the entirety of the collection. Each track, from "Ó meu Menino Jesus" to "Ai, acabadas são as festas," is a delicate blend of traditional melodies and modern choral arrangements, making it a unique addition to any music collection. The album's duration of 41 minutes ensures a comprehensive and immersive experience, perfect for those seeking a peaceful and reflective atmosphere during the holiday season.

Fernando Lopes-Graça's "Primeira Cantata do Natal" is not just an album; it's a celebration of cultural heritage and musical excellence. The Chorus – Grupo De Música Vocal Contemporânea, under the direction of Mário, brings Lopes-Graça's compositions to life with precision and passion. The cover art, designed by Romeu Pinto Da Silva, adds an artistic touch that complements the musical journey within.

This album is a perfect blend of tradition and innovation, making it an essential listen for fans of choral music and those who appreciate the beauty of a cappella performances. Whether you're looking to enhance your holiday playlist or simply enjoy a moment of musical serenity, "Primeira Cantata do Natal" by Fernando Lopes-Graça is sure to delight.

December 3, 1978

1978 Edições Valentim de Carvalho, S.A.

About Fernando Lopes-Graça

Fernando Lopes-Graça, born in Tomar, Portugal, in 1906, was a towering figure in 20th-century Portuguese music, renowned for his work as a composer, conductor, and musicologist. His compositions, deeply rooted in Portuguese folk traditions, earned him comparisons to Béla Bartók for their innovative use of native songs and rhythms. Lopes-Graça's political convictions, as a member of the Portuguese Communist Party, often found expression in his music, which served as a powerful critique of the oppressive Estado Novo regime. His seminal work, the "Dicionário de Música," stands as a testament to his scholarly pursuits and his enduring impact on Portuguese musical culture. With a discography that includes iconic works like "Canções Heróicas," Lopes-Graça's music continues to captivate audiences with its rich, evocative soundscapes and profound emotional depth. His legacy endures, inspiring new generations of musicians and music lovers alike.