Zilzal

Album Description

"Zilzal," released on November 19, 2013, is a captivating exploration of free jazz and avant-garde music, brought to life by the innovative collaboration between Jason Kao Hwang and Ayman Fanous. This album, spanning a total of 1 hour and 3 minutes, is a testament to the artists' unique vision and musical prowess.

The nine-track album is a journey through soundscapes that reflect the profound and dynamic essence of its Arabic title, which translates to "earthquake." Each track, from the opening "Nilometer at Roda" to the concluding "Tree of the Virgin at Matariya," offers a distinct yet interconnected musical experience. The compositions delve into the depths of free jazz, pushing the boundaries of conventional music with an avant-garde approach that is both challenging and rewarding.

Jason Kao Hwang, known for his virtuosic violin playing and innovative compositions, brings his signature style to the album. His collaboration with Ayman Fanous, a renowned Egyptian guitarist, results in a fusion of Eastern and Western musical traditions. The album is a rich tapestry of sounds, where traditional elements seamlessly blend with modern jazz techniques, creating a sonic landscape that is both familiar and exotic.

"Zilzal" is not just an album; it is an immersive experience that invites listeners to explore the intricate layers of sound and rhythm. The album's unique blend of free jazz and avant-garde elements makes it a standout in the genre, appealing to both jazz enthusiasts and those who appreciate innovative and experimental music. Whether you're a seasoned jazz aficionado or someone looking to expand your musical horizons, "Zilzal" offers a compelling and enriching listening experience.

November 19, 2013

2013 Innova

About Jason Kao Hwang

Jason Kao Hwang is a pioneering Chinese American violinist and composer who has carved out a unique niche in the world of experimental music. Born in 1957, Hwang is renowned for his unconventional and improvisational jazz violin technique, which he employs to create intricate and emotionally resonant compositions. His work often draws from a rich tapestry of influences, including jazz, classical, and traditional Chinese music, resulting in a sound that is distinctly his own.

Hwang's compositions are narrative landscapes, inviting the audience on transformational journeys through sound. His chamber opera, "The Floating Box: A Story in Chinatown," premiered in 2001 and was released in 2005, showcasing his ability to blend storytelling with innovative musical structures. He has been recognized multiple times by the El Intruso Critics and the Downbeat Critics’ Poll, cementing his status as a leading figure in avant-garde and free jazz.

As an educator and artist-in-residence at various institutions, Hwang has also dedicated himself to teaching and lecturing, sharing his unique perspective on music and culture. His ensembles, such as his trio with electric guitarist Anders Nilsson and drummer Michael T.A. Thompson, are known for their adventurous fusion sessions, where musical influences never sit still. Whether performing with a mixed ensemble of jazz, classical, and Chinese instruments or exploring the depths of improvisational soliloquies, Jason Kao Hwang continues to push the boundaries of what music can be.