Yankees

Album Description

Dive into the avant-garde with "Yankees," a captivating album of improvised music that pushes the boundaries of free jazz and experimental sounds. Released on January 1, 1983, this groundbreaking work features the masterful Derek Bailey on acoustic and electric guitars, alongside the extraordinary George Lewis on trombone and the versatile John Zorn on alto and soprano saxes, clarinets, and more. The album, originally released as an LP by Celluloid, is a testament to the power of spontaneous creation and the beauty of unscripted musical dialogue.

"Yankees" is a journey through minimalistic soundscapes, where every plink and plop tells a story. The five tracks—"City City City," "The Legend of Enos Slaughter," "Who's on First," "On Golden Pond," and "The Warning Track"—are a collective improvisation that showcases the unique talents of each musician. Derek Bailey's innovative guitar techniques, George Lewis's expressive trombone, and John Zorn's multifaceted contributions come together to create a sonic experience that is both intimate and expansive.

With a runtime of just 44 minutes, this album is a concise yet powerful exploration of free improvisation. The genres of free jazz, avant-garde, and experimental music converge here, offering a rich tapestry of sounds that challenge and inspire. Whether you're a seasoned jazz enthusiast or a curious newcomer, "Yankees" promises an unforgettable auditory adventure.

1 januari 1983

1983 KP&P - CELLULOID N.Y.

About Derek Bailey

Derek Bailey, born in Sheffield in 1930, was a pioneering British guitarist renowned for his groundbreaking work in free improvisation. Emerging from the trad-jazz scene, Bailey's career took a dramatic turn in the 1960s when he shifted his focus to experimental and avant-garde music. His innovative approach to the guitar, which he virtually reinvented, set him apart as one of the most influential and adventurous musicians of his time. Bailey's music was entirely based on improvisation, operating outside any pre-existing idiom, and his performances were always unique and unpredictable. Before his untimely death in 2005, Bailey left an indelible mark on the world of experimental music, inspiring countless musicians with his fearless exploration of sound and technique.