Why Am I Treated So Bad!

Cannonball Adderley's iconic album, Why Am I Treated So Bad!, is a masterclass in jazz excellence. Released on 1 January 2006 via the esteemed Blue Note Records, this hour-long masterpiece weaves a sonic tapestry that showcases Adderley's incredible talent.

With a diverse range of genres, from hard bop and bebop to cool jazz and jazz blues, Why Am I Treated So Bad! is a testament to Adderley's versatility as a musician. The album's tracklist is a carefully curated selection of tracks, including the thought-provoking title piece, the soulful 'Mini Mama', and the upbeat 'Heads Up! Feet Down!'. Each song has been meticulously remastered in 2006, ensuring that the sound quality is nothing short of exceptional.

From the introductory notes to the final refrain, Cannonball Adderley's Why Am I Treated So Bad! is an unforgettable listening experience. With its unique blend of styles and Adderley's unmistakable flair, this album is sure to captivate and inspire fans of jazz and beyond. So, immerse yourself in the rich sounds and let the genius of Cannonball Adderley guide you through an unforgettable hour of music.

Cannonball Adderley, born Julian Edwin Adderley, was a titan of the jazz world, renowned for his powerful and soulful alto saxophone playing. A key figure in the hard bop movement of the 1950s and 1960s, Adderley's career was marked by his distinctive sound and his ability to blend jazz with soul and funk, creating a unique and enduring legacy. He gained prominence as a member of Miles Davis' band and later formed his own quintet with his brother, Nat Adderley, releasing a string of influential albums. Adderley's crossover hit "Mercy, Mercy, Mercy" showcased his versatility and appeal beyond traditional jazz audiences. His discography, including classics like "Somethin' Else," reflects his innovative spirit and his impact on the evolution of jazz. Adderley's dynamic performances and passionate playing style continue to inspire musicians and captivate fans worldwide. Despite his untimely passing at the age of 46, his contributions to jazz remain monumental, solidifying his status as one of the genre's true innovators.