Dive into the provocative and satirical world of Kurt Weill's "Weill, Brecht: Die sieben Todsünden" with this captivating 2015 release from Brilliant Classics. This album presents a unique blend of opera and ballet, featuring the iconic collaboration between composer Kurt Weill and librettist Bertolt Brecht. Originally premiered in 1933, "Die sieben Todsünden" is a biting critique of capitalist society, exploring the eternal struggle between wealth and morality through the lens of the seven deadly sins.
The album opens with the titular work, "Die sieben Todsünden," a "sung ballet" that follows two sisters, Anna I and Anna II, as they journey through seven American cities to earn enough money to build a home. Weill and Brecht cleverly reimagine the traditional seven deadly sins, turning them into virtues and offering a scathing commentary on bourgeois morals. The performance is a classic, featuring the renowned Gisela May, a grande dame of the German protest song.
In addition to "Die sieben Todsünden," this album includes a selection of other notable works by Weill, such as pieces from "Happy End," "Aufstieg und Fall der Stadt Mahagonny," and "Die Dreigroschenoper." The album also features the "Berliner Requiem: Zu Potsdam unter den Eichen," providing a comprehensive overview of Weill's powerful and thought-provoking compositions.
With a duration of just over an hour and ten minutes, this album is a compelling exploration of Weill's unique musical style and his enduring partnership with Brecht. The album features a stellar cast of performers, bringing Weill's music to life with passion and precision. Whether you're a seasoned opera enthusiast or a curious newcomer, this album offers a fascinating glimpse into the world of Kurt Weill and his enduring legacy.
2014 Brilliant Classics2015 Brilliant Classics
Tracks
Die sieben Todsünden: Prologue. Andante sostenuto (Anna I and Anna II)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier
Die sieben Todsünden: Faulheit. Allegro vivace (Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
Die sieben Todsünden: Stolz. Allegretto, quasi andantino (Anna I and Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
Die sieben Todsünden: Zorn. Molto agitato (Anna I, Anna II and Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
Die sieben Todsünden: Völlerei. Largo (Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
Die sieben Todsünden: Unzucht. Moderato (Anna I, Anna II and Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
Die sieben Todsünden: Habsucht. Allegro guisto (Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
Die sieben Todsünden: Neid. Allegro non troppo (Anna I and Family)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
Die sieben Todsünden: Epilogue. Andante sostenuto (Anna I and Anna II)Kurt Weill, Rundfunk-Sinfonieorchester Leipzig, Herbert Kegel, Gisela May, Peter Schreier, Gunther Leib, Hermann Christian Polster
Die sieben Todsünden: Vom ertrunkenen MädchenKurt Weill, Studio-Männerchor, Studio-Orchester, Henry Krtschil