Immerse yourself in the rich, resonant sounds of the Renaissance with "Venise sur Garonne: Canzonas & Sonatas by Giovanni Gabrieli," a captivating collection of works by the Venetian composer and organist, Giovanni Gabrieli. Released on November 17, 2014, this album is a testament to Gabrieli's innovative use of space, harmony, and the emerging tonal language of his time.
Performed by the talented ensemble Les Sacqueboutiers, this album features 19 tracks drawn from Gabrieli's "Sacrae symphoniae" and "Canzoni et sonate" collections, composed between 1597 and 1615. The pieces showcase Gabrieli's mastery of the canzona and sonata forms, characterized by their lively rhythms, intricate counterpoint, and dramatic use of dynamics and texture.
The album spans a diverse range of instrumental combinations, from intimate duets to grand ensembles featuring up to 22 voices. Highlights include the dynamic "Sonata a 14" and the majestic "Sonata a 22," as well as the more intimate "Sonata pian e forte" and "Sonata per tre violini e basso a 4." The ensemble's skillful performances bring out the full richness and complexity of Gabrieli's writing, offering a vivid glimpse into the musical life of late Renaissance Venice.
With a total runtime of 1 hour and 19 minutes, "Venise sur Garonne" is a substantial and rewarding listen, perfect for those seeking to explore the vibrant world of Renaissance music. The album is released under the FLORA label and is a must for any fan of choral and classical music.
2014 Flora2014 Flora
Tracks
Canzon in echo duodecimi toni a 10, Ch. 180 - No. 46 from "Sacrae symphoniae, Liber 1 - Venice, 1597"Giovanni Gabrieli, Les Sacqueboutiers
Sonata pian e forte, Ch. 175 - No. 33 from "Sacrae symphoniae, Liber 1 - Venice, 1597"Giovanni Gabrieli, Les Sacqueboutiers
Canzon per sonar duodecimi toni a 10, Ch. 178 - No. 44 from "Sacrae symphoniae, Liber 1 - Venice, 1597"Giovanni Gabrieli, Les Sacqueboutiers
Canzon a 6, Ch. 197 - No. 3 from "Canzoni et sonate - Venice, 1615"Giovanni Gabrieli, Les Sacqueboutiers
Sonata a 14, Ch. 211 - No. 18 from "Canzoni et sonate - Venice, 1615"Giovanni Gabrieli, Les Sacqueboutiers
Canzon per sonar noni toni a 12, Ch. 183 - No. 58 from "Sacrae symphoniae, Liber 1 - Venice, 1597"Giovanni Gabrieli, Les Sacqueboutiers
Canzon a 6, Ch. 198 - No. 4 from "Canzoni et sonate - Venice, 1615"Giovanni Gabrieli, Les Sacqueboutiers
Canzon a 12, Ch. 209 - No. 16 from "Canzoni et sonate - Venice, 1615"Giovanni Gabrieli, Les Sacqueboutiers
Canzon a 8, Ch. 202 - No. 8 from "Canzoni et sonate - Venice, 1615"Giovanni Gabrieli, Les Sacqueboutiers
Canzon a 12, Ch. 210 - No. 17 from "Canzoni et sonate - Venice, 1615"Giovanni Gabrieli, Les Sacqueboutiers
Canzon prima a 5, Ch. 195 - No. 1 from "Canzoni et sonate - Venice, 1615"Giovanni Gabrieli, Les Sacqueboutiers
Canzon septimi et octavi toni a 12, Ch. 182 - No. 57 from "Sacrae symphoniae, Liber 1 - Venice, 1597"Giovanni Gabrieli, Les Sacqueboutiers
Sonata per tre violini e basso a 4, Ch. 214 - No. 21 from "Canzoni et sonate - Venice, 1615"Giovanni Gabrieli, Les Sacqueboutiers
Sonata octavi toni a 12, Ch. 184 - No. 59 from "Sacrae symphoniae, Liber 1 - Venice, 1597"Giovanni Gabrieli, Les Sacqueboutiers
Canzon X a 8 - No. 10 from "Canzoni et sonate - Venice, 1615"Giovanni Gabrieli, Les Sacqueboutiers
Canzon I "La Spiritata", Ch. 186 - No. 1 from "Canzoni per sonare con ogni sorte di stromenti - Venice, 1608"Giovanni Gabrieli, Les Sacqueboutiers
Canzon per sonar quarti toni a 15, Ch. 185 - No. 62 from "Sacrae symphoniae, Liber 1 - Venice, 1597"Giovanni Gabrieli, Les Sacqueboutiers
Canzon a 6, Ch. 196 - No. 2 from "Canzoni et sonate - Venice, 1615"Giovanni Gabrieli, Les Sacqueboutiers
Sonata a 22, Ch. 213 - No. 20 from "Canzoni et sonate - Venice, 1615"Giovanni Gabrieli, Les Sacqueboutiers
Giovanni Gabrieli, born around 1554, was a pioneering Italian composer and organist whose work marked the transition from Renaissance to Baroque music. As a key figure of the Venetian School, Gabrieli's compositions are renowned for their grandeur and innovation, blending vocal and instrumental elements with masterful skill. Born into a family of modest means, Gabrieli's musical journey was shaped by his uncle, the esteemed composer Andrea Gabrieli, from whom he took his surname. By 1585, Gabrieli had secured prestigious roles as the organist at St Mark's Basilica and director of music at the Scuola Grande di San Rocco, positions that allowed him to influence and inspire generations of musicians. His choral works, characterised by their antiphonal effects and rich textures, continue to captivate audiences and remain staples in the classical repertoire. Gabrieli's legacy endures as a testament to his enduring impact on Western music.
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Giovanni Gabrieli
