Tye: In nomine – Works for Recorder Consort - John Taverner

Album Description

Immerse yourself in the enchanting world of Renaissance polyphony with "Tye: In nomine – Works for Recorder Consort," a captivating album that showcases the exquisite compositions of Christopher Tye, with a single track by John Taverner. Released in 2015 under the CPO label, this choral masterpiece spans a duration of 1 hour and 1 minute, offering a rich tapestry of 29 tracks that highlight the intricate beauty of the recorder consort.

The Boreas Quartett, under the direction of Han Tol, delivers a breathtaking performance that brings Tye's compositions to life with precision and grace. The album features a diverse range of "In nomine" settings, each offering a unique interpretation of the famous plainsong melody. From the hauntingly beautiful "In nomine 'Weepe No More Rachell'" to the lively "In nomine 'Follow Me,'" the ensemble's virtuosity shines through every note.

This album is a testament to the enduring appeal of Renaissance music, offering a timeless collection of works that continue to captivate audiences today. Whether you're a seasoned enthusiast of early music or a newcomer to the genre, "Tye: In nomine – Works for Recorder Consort" promises an unforgettable journey through the golden age of polyphony.

November 6, 2015

2015 CPO

About John Taverner

John Taverner, born around 1490 in South Lincolnshire, England, was a pioneering English composer and organist, celebrated as one of the most significant figures in English Renaissance music. His sacred works, particularly his masses and motets, are renowned for their intricate polyphony and profound spiritual depth. Taverner's compositions, such as the Missa Gloria tibi Trinitas, The Western Wynde Mass, and Missa Corona Spinea, are considered masterworks that epitomize the culmination of early 16th-century English polyphony. His music not only reflects the religious fervor of his time but also the political and historical events that shaped Tudor England. Taverner's legacy endures as a testament to his enduring influence on choral music, making him a cornerstone of the English musical canon.