Two For The Road

"Two For The Road" is a captivating collaboration between the legendary jazz pianist George Shearing and the soulful vocalist Carmen McRae, released in 1980 under the Concord Jazz label. This album is a masterful blend of cool jazz, vocal jazz, and traditional pop, showcasing the incredible chemistry between Shearing's piano and McRae's velvety voice.

Recorded in June 1980 at Soundmixers in New York City, the album features a collection of ten timeless tracks, including beloved standards like "I Don't Stand A Ghost Of A Chance With You," "You're All I Need," and "Two For The Road." The duo's interpretation of these classics brings a fresh perspective, with Shearing's intricate piano work complementing McRae's expressive vocals.

The album's production quality is top-notch, with each note and lyric crisply captured, allowing the listener to fully appreciate the artistry of both performers. The combination of Shearing's cool jazz style and McRae's rich, warm vocals creates an atmosphere that is both intimate and sophisticated.

"Two For The Road" is a testament to the enduring appeal of jazz and the power of collaboration between two of the genre's greats. Whether you're a longtime fan of George Shearing and Carmen McRae or a newcomer to their work, this album is sure to delight and inspire.

George Shearing, the renowned British-American jazz pianist, captivated audiences worldwide with his inventive and melodic style. Born blind in Battersea, London, in 1919, Shearing overcame significant obstacles to become one of the most popular jazz musicians of the 20th century. His career spanned decades, from the 1930s through the 2010s, during which he led a highly acclaimed jazz combo and composed over 300 pieces, including the timeless classic "Lullaby of Birdland." Shearing's talent extended beyond the piano; he was also a gifted arranger and composer, known for his orchestrated jazz and romantic solos. His international reputation was cemented through performances on both the concert stage and in intimate jazz clubs, making him a beloved figure in the jazz community until his passing in 2011.