Triotone, released in 2004 on the esteemed Leo Records label, is a captivating album that showcases the innovative spirit of three international jazz luminaries: Anthony Braxton, György Szabados, and Vladimir Tarasov. This extraordinary collaboration brings together the unique talents of Braxton on reeds, Szabados on piano, and Tarasov on drums and percussion, resulting in a rich and immersive listening experience.
Recorded live at the festival of jazz and improvised music in Serbia and Montenegro, Triotone features two thought-provoking compositions by György Szabados, a pioneering figure in Hungarian free jazz and improvised music. The album is complemented by three spontaneous improvisations, which demonstrate the trio's exceptional chemistry and creative synergy.
With its blend of free jazz, avant-garde, and contemporary jazz elements, Triotone is an album that will appeal to fans of experimental and boundary-pushing music. The five tracks, including 'Trioton' and 'Black Toots', both penned by Szabados, as well as 'Improvisation 1', 'Improvisation 2', and 'Improvisation 3', showcase the trio's ability to craft complex, intricate soundscapes that are both challenging and rewarding.
Clocking in at 53 minutes, Triotone is an album that demands attention and engagement, inviting listeners to immerse themselves in its innovative and expressive sound world. With its unique blend of talents and styles, this album is a must-listen for anyone interested in the cutting edge of jazz and improvised music. Anthony Braxton, György Szabados, and Vladimir Tarasov have created something truly special with Triotone, an album that is sure to leave a lasting impression on all who hear it.
Anthony Braxton is a pioneering figure in the world of experimental and avant-garde jazz, renowned for his innovative compositions and virtuosic performances on a multitude of woodwind instruments, with a particular affinity for the saxophone. Born and raised on the South Side of Chicago, Braxton's musical journey began with his involvement in the Association for the Advancement of Creative Musicians (AACM), where he honed his skills and developed his unique musical philosophy. His groundbreaking 1969 album "For Alto," the first full-length solo saxophone record, catapulted him into the spotlight and established him as a trailblazer in the free jazz community.
Braxton's music is a complex tapestry that draws from a wide range of influences, blending Afrological traditions with experimental techniques. His compositions, often titled with diagrams rather than words, reflect his deep engagement with global creativity and humanity. As a multi-instrumentalist, he masterfully plays an array of saxophones, clarinets, and even the piano, showcasing his versatility and technical prowess.
Beyond his musical accomplishments, Braxton is also a dedicated educator and music theorist, having developed his own unique musical system that celebrates innovation and artistic expression. His work has earned him numerous accolades, including the prestigious NEA Jazz Master award in 2014. With a prolific discography and a relentless creative spirit, Anthony Braxton continues to inspire and challenge audiences, solidifying his status as one of the most important musicians of the past half-century.
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