Too Good to Be True

Dive into the swinging sounds of the 1930s with Teddy Wilson & His All-Stars in the captivating album "Too Good to Be True - Teddy Wilson & His All-Stars in the 30's." Released on October 15, 2020, this collection of 16 tracks offers a delightful journey through the golden era of jazz, swing, and big band music. With a runtime of 49 minutes, the album is a testament to Teddy Wilson's mastery as a pianist and his significant influence on the transition of jazz styles.

Teddy Wilson, an NEA Jazz Master, brings his signature airy and effortless style to this compilation, featuring both instrumental and vocal jazz tracks. The album kicks off with the playful "Eeny, Meeny, Miny, Moe" and takes you through a variety of moods and tempos, from the upbeat "With Thee I Swing" and "Fine and Dandy" to the dreamy "I'll See You in My Dreams" and the sultry "Sweet Lorraine." Each track showcases Wilson's impeccable technique and his ability to create a warm, inviting atmosphere.

The album also includes notable tracks like "Sailin'" and "Too Good to Be True," which highlight Wilson's collaborative spirit, as he often guested with legendary artists like Louis Armstrong and Earl Hines in the early '30s. The remastered versions of these tracks ensure that the original charm and energy are preserved for modern audiences.

"Too Good to Be True - Teddy Wilson & His All-Stars in the 30's" is not just a collection of songs but a celebration of Teddy Wilson's enduring legacy. It's a must-experience for jazz enthusiasts and a delightful introduction for those new to the genre. So, sit back, relax, and let the timeless melodies of Teddy Wilson & His All-Stars transport you to a bygone era of musical excellence.

Teddy Wilson, born Theodore Shaw Wilson, was a pioneering American jazz pianist whose elegant and virtuosic style made him a cornerstone of the swing era. Known as "the definitive swing pianist" by critic Scott Yanow, Wilson's playing was smooth, steady, and highly accessible, blending influences from Earl Hines and Art Tatum. His career spanned over five decades, during which he collaborated with jazz legends such as Louis Armstrong, Billie Holiday, and Ella Fitzgerald. Notably, Wilson was one of the first black musicians to perform prominently with white musicians, notably with Benny Goodman's orchestra. Beyond his sideman work, Wilson led his own groups and recording sessions, leaving an indelible mark on the world of jazz. His contributions earned him the title of NEA Jazz Master in 1986, cementing his legacy as one of the finest pianists of the swing era.