Too Good to Be True

Immerse yourself in the timeless elegance of Teddy Wilson's "Too Good to Be True," a meticulously remastered collection of 12 swing classics that showcase the definitive swing pianist's impeccable style. Released in 2018 by So Good Music, this album is a vibrant journey through the golden age of jazz, spanning a concise yet captivating 35 minutes.

Teddy Wilson, known for his soft-spoken demeanor and reserved stage presence, was a pivotal figure in the development of swing music. His virtuosic piano playing and refined musicality are on full display here, accompanied by the rich, warm tones of vocal jazz and the energetic rhythms of big band arrangements.

The album opens with the title track, "Too Good to Be True," featuring the sultry vocals of Helen Ward, setting the stage for a series of enchanting performances. From the playful "Rhythim in My Nursery Rhymes" to the dreamy "You Can't Stop Me from Dreaming," each track is a testament to Wilson's musical genius and his ability to evoke a wide range of emotions.

"Too Good to Be True" is not just a celebration of Teddy Wilson's enduring legacy but also a delightful exploration of the swing era's most beloved songs. Whether you're a seasoned jazz aficionado or a newcomer to the genre, this album offers a captivating introduction to the timeless allure of Teddy Wilson and the magic of swing music.

Teddy Wilson, born Theodore Shaw Wilson, was a pioneering American jazz pianist whose elegant and virtuosic style made him a cornerstone of the swing era. Known as "the definitive swing pianist" by critic Scott Yanow, Wilson's playing was smooth, steady, and highly accessible, blending influences from Earl Hines and Art Tatum. His career spanned over five decades, during which he collaborated with jazz legends such as Louis Armstrong, Billie Holiday, and Ella Fitzgerald. Notably, Wilson was one of the first black musicians to perform prominently with white musicians, notably with Benny Goodman's orchestra. Beyond his sideman work, Wilson led his own groups and recording sessions, leaving an indelible mark on the world of jazz. His contributions earned him the title of NEA Jazz Master in 1986, cementing his legacy as one of the finest pianists of the swing era.