To Valerie Solanas And Marilyn Monroe In Recognition Of Their Desperation

Album Description

"To Valerie Solanas And Marilyn Monroe In Recognition Of Their Desperation" is a captivating exploration of sound and silence by the pioneering composer Pauline Oliveros. Released in 2011 on the Roaratorio label, this album is a profound and introspective journey through the realms of drone, avant-garde, minimalism, ambient, and experimental music. Spanning just two tracks, "1970 Performance" and "1977 Performance," the album offers a deep dive into Oliveros' unique sonic landscape over the course of 45 minutes.

The album is a response to Valerie Solanas' "SCUM Manifesto," reflecting Oliveros' engagement with feminist themes and her innovative approach to sound. Each performance captures a different moment in time, showcasing Oliveros' evolution as an artist and her enduring influence on contemporary classical and experimental music. The minimalist and ambient qualities of the tracks create a sense of space and introspection, inviting listeners to immerse themselves in the subtle nuances of each sound.

"To Valerie Solanas And Marilyn Monroe In Recognition Of Their Desperation" is a testament to Pauline Oliveros' groundbreaking work in electronic music and her commitment to pushing the boundaries of what music can be. Whether you're a longtime fan of Oliveros' work or new to her unique sonic world, this album offers a rich and rewarding listening experience.

24 januari 2011

2011 Pauline Oliveros

2011 Roaratorio

About Pauline Oliveros

Pauline Oliveros, a pioneering American composer and accordionist, stands as a titan in the realms of experimental and electronic music. Born in Houston, Texas, in 1932, Oliveros was a proud lesbian and feminist whose innovative spirit blazed trails through the avant-garde, drone, minimalism, and ambient genres. She was renowned for her groundbreaking mixed-media compositions in the 1960s, seamlessly blending diverse musical elements and technologies. Oliveros was not just a composer but also a lecturer, theorist, and writer, leaving an indelible mark with her influential 1984 text "Software for People." Her deep listening practice, designed to enhance performers' responsiveness to their environment, further cemented her legacy as a visionary in the music world. Oliveros's journey was one of continuous evolution, making her a true icon in the development of post-war experimental and electronic art music.