Dive into the captivating world of contemporary classical music with Thomas Adès' "In Seven Days," a compelling album released in 2020 under the Myrios Classics label. This 58-minute journey through Adès' unique compositional style features a blend of solo piano works and orchestral pieces, showcasing the artist's versatility and depth.
The album opens with a series of concert paraphrases from Adès' opera "Powder Her Face," arranged for two pianos, performed by Thomas Adès and Kirill Gerstein. These pieces offer a taste of Adès' signature edgy and ironic vitality, setting the stage for the rest of the album. The Berceuse from "The Exterminating Angel" follows, providing a moment of introspective beauty.
A highlight of the album is the titular work, "In Seven Days," a retelling of the Genesis story of creation. This six-movement piece for piano and orchestra is a departure from Adès' earlier works, demonstrating a new fluidity and depth. The live recordings, featuring Kirill Gerstein on piano and the Tanglewood Music Center Orchestra under Adès' conduction, bring an energy and immediacy that is palpable.
The album also includes a set of Mazurkas, showcasing Adès' ability to blend traditional forms with his unique compositional voice. These pieces, along with the rest of the album, highlight the collaborative spirit between Adès and Gerstein, a partnership that has resulted in some of the most compelling classical music of recent years.
"In Seven Days" is not just a collection of pieces, but a cohesive exploration of Thomas Adès' artistic vision. Whether you're a long-time fan of Adès' work or a newcomer to his music, this album offers a compelling introduction to his unique voice in the world of contemporary classical music.
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