The Way We Are

"George Shearing, the legendary British jazz pianist, invites you to experience a timeless collection of songs with his album "The Way We Are." Originally released in 1974 and reissued in 2014, this album is a testament to Shearing's enduring musical prowess and his ability to blend cool jazz, vocal jazz, and traditional jazz into a seamless and enchanting experience. The album features a mix of well-known standards and lesser-known gems, all performed with Shearing's signature style and elegance.

"The Way We Are" opens with the poignant "The Way We Were," a song that sets the tone for the entire album with its nostalgic and reflective mood. The tracklist also includes beloved classics like "Killing Me Softly," "Eleanor Rigby," and "You Are the Sunshine of My Life," each reimagined through Shearing's unique lens. The album's diverse selection of songs showcases Shearing's versatility and his deep connection to the jazz tradition.

With a runtime of just under 40 minutes, "The Way We Are" is a concise yet powerful journey through the world of jazz. The album's production quality is top-notch, with each note and nuance captured beautifully. Whether you're a longtime fan of George Shearing or a newcomer to his music, this album offers a rich and rewarding listening experience that highlights the enduring appeal of jazz.

George Shearing, the renowned British-American jazz pianist, captivated audiences worldwide with his inventive and melodic style. Born blind in Battersea, London, in 1919, Shearing overcame significant obstacles to become one of the most popular jazz musicians of the 20th century. His career spanned decades, from the 1930s through the 2010s, during which he led a highly acclaimed jazz combo and composed over 300 pieces, including the timeless classic "Lullaby of Birdland." Shearing's talent extended beyond the piano; he was also a gifted arranger and composer, known for his orchestrated jazz and romantic solos. His international reputation was cemented through performances on both the concert stage and in intimate jazz clubs, making him a beloved figure in the jazz community until his passing in 2011.