The Rubáiyát Of Dorothy Ashby

Album Description

Dive into the enchanting world of Dorothy Ashby's "The Rubáiyát Of Dorothy Ashby," a captivating blend of exotica and soul-jazz that defies easy categorization. Recorded in late 1969 and early 1970, this album is a testament to Ashby's unique artistry as a jazz harpist, offering a rich tapestry of spiritual and funky sounds that are as timeless as they are innovative.

Produced by the legendary Richard Evans, the album features a wondrous mix of compositions that showcase Ashby's virtuosity and her ability to blend various musical influences into a cohesive and compelling whole. From the introspective "Myself When Young" to the lively "Joyful Grass And Grape," each track is a journey through sound, highlighting the harp's versatility and Ashby's mastery of it.

"The Rubáiyát Of Dorothy Ashby" is not just an album; it's an experience. The intricate arrangements and Ashby's delicate yet powerful playing create a soundscape that is both soothing and invigorating. Whether you're a long-time fan of jazz or a newcomer to the genre, this album offers something special, a chance to explore the depths of Ashby's musical vision and the boundless possibilities of the harp.

With its unique instrumentation and soulful melodies, "The Rubáiyát Of Dorothy Ashby" stands as a landmark recording in Dorothy Ashby's discography. It's a must-listen for anyone seeking to expand their musical horizons and discover the beauty of jazz harp.

1 januari 1970

℗ 1970 UMG Recordings, Inc.

About Dorothy Ashby

Dorothy Ashby, the pioneering jazz harpist, revolutionized the role of the harp in music, transforming it from a classical instrument to a dynamic force in jazz, funk, and beyond. Born in Detroit in 1932, Ashby's career spanned from the 1950s to the 1980s, during which she collaborated with legends like Louis Armstrong, Woody Herman, Stevie Wonder, and Bill Withers. Her groundbreaking albums, such as "The Jazz Harpist" (1957) and "Afro-Harping" (1968), showcased her unique blend of jazz, soul, and world music, earning her the title "The Queen of Harps." Ashby's innovative approach to the harp and her theatrical productions left an indelible mark on the music world, inspiring generations of musicians and promoting cultural awareness through her work in Detroit and Los Angeles.