Dive into a profound historical journey with Jordi Savall's "The Routes of Slavery," a meticulously crafted double album that spans over two hours of captivating music and narration. Released in 2017 under the Alia Vox label, this ambitious project brings together 32 musicians from three continents, along with the powerful narration of John Douglas Thompson, to evoke the transatlantic slave trade and its enduring cultural impact.
"The Routes of Slavery" is not just an album; it's a richly engaging exploration of a dark period in human history, from 1444 to 1888. Jordi Savall, renowned for his work in medieval and classical genres, weaves together a tapestry of musical styles and narratives that honor the memory of the victims of the slave trade and celebrate their cultural contributions. The album features a diverse range of instruments, including the kora, oud, marimba, and various percussion, alongside traditional songs and instrumental pieces from Africa, Europe, and the Americas.
The album is structured around historical narratives, each followed by corresponding musical pieces that reflect the cultural and musical heritage of the periods and regions discussed. From the introduction by Artistote to the final track, "Guaracha: Ay que me abraso," the album offers a comprehensive and immersive experience. Highlights include the haunting "Kouroukanfouga," the energetic "Gulumbé: Los coflades de la estleya," and the poignant "Sanjin," a chant of the griots.
With its blend of historical context, powerful storytelling, and exquisite musicianship, "The Routes of Slavery" stands as a testament to Jordi Savall's artistic vision and his commitment to preserving and honoring the cultural legacies of those affected by the slave trade. This album is a profound exploration of history through music, offering listeners a unique and enlightening experience.
(C) 2016 Alia Vox
Tracks
Artistote: "L’humanité est divisée en deux : Les maîtres et les esclaves" / Musique: PercussionsJordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
Kora et ValihaJordi Savall, Ballaké Sissoko, Rajery
Vida ao Jongo (Jongo da Serrinha)Jordi Savall, Maria Juliana Linhares, Zé Luis Nascimento
Récit: 1505. Le roi Ferdinand le Catholique écrit une lettre à Nicolas de Ovando / Musique: Guitare (Romanesca)Jordi Savall, Bakary Sangaré, Xavier Diaz-Latorre
Tambalagumbá (Negrilla à 6 v. et bc.)Jordi Savall
Velo que bonito (ou San Antonio) [Chant sacré]Jordi Savall, Ada Coronel
Manden Mandinkadenou (Chant de griot)Jordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
Récit: 1620. Les premiers esclaves africains arrivent dans les colonies anglaises.Jordi Savall, Bakary Sangaré
Canto de Guerreiro (Caboclinho paraibano)Jordi Savall, Maria Juliana Linhares, Xavier Diaz-Latorre, Andrew Lawrence-King
Récit: 1657. Richard Ligon publie Histoire Vraie et exacte de l’Île de la Barbade à Londres / Musique: PercussionsJordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
Son de la Tirana: Mariquita, MaríaJordi Savall, Ada Coronel
Antoniya, Flaciquia, Gasipà (Negro à 5)Jordi Savall, David Sagastume
Récit: 1661. Les Châtiments des esclaves dans le « Code de l’Esclavage de la Barbade » / Musique: Tambours très lentsJordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
Sinanon Saran (Chant de griot)Jordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
Récit: 1685. Le « Code Noir » promulgué par Louis XIV s’est imposé jusqu’à 1848 / Musique: Kora et OudJordi Savall, Bakary Sangaré, Ballaké Sissoko, Driss El Maloumi
Les Indios: ¡Fuera, fuera! ¡Háganles lugar!Jordi Savall, Ada Coronel, Ulises Martínez
Saí da casa (Ciranda)Jordi Savall, Maria Juliana Linhares
Récit: 1748. Montesquieu « De l’esclavage des nègres » / Musique: MarimbaJordi Savall, Bakary Sangaré, Leopoldo Novoa
Véro (Instrumental)Jordi Savall, Driss El Maloumi, Ballaké Sissoko, Rajery
El TorbellinoJordi Savall, Ada Coronel, Iván García
Gulumbé: Los coflades de la estleyaJordi Savall, Adriana Fernandez, Maria Juliana Linhares
Récit: 1782. L’esclave Belinda demande au Congrès du Massachusetts une pension en guise de réparation après une vie de labeur / Musique: OudJordi Savall, Bakary Sangaré, Driss El Maloumi
Sanjin (Chant de griot)Jordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
La Iguana (Son jarocho)Jordi Savall, Enrique Baron
Récit: 1848. Décret sur abolition de l’esclavage / Musique: Kora et ValihaJordi Savall, Bakary Sangaré, Ballaké Sissoko, Rajery
Tonada El Congo: A la mar me llevanJordi Savall
Bom de Briga (Maracatu e Samba)Jordi Savall, Maria Juliana Linhares, Zé Luis Nascimento
Récit: 1963. Martin Luther-King « Pourquoi nous ne pouvons pas attendre » / Musique: PercussionsJordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
Dan Massa WoulanbaJordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
Guaracha: Ay que me abrasoJordi Savall, Kassé-Mady Diabaté, Mamani Keïta, Nana Kouyate, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery