In the autumn of 2010, Christian Frederickson retreated to three distinct locations—Zilina, Slovakia; Brooklyn, NY; and Louisville, KY—to craft his enigmatic album, "The Painted Bird | Bastard." This 11-track, 50-minute journey is a testament to Frederickson's unique vision, recorded over the summer and autumn of that year. The album, released on November 11, 2010, via Three Lobed Auxiliary, is a captivating exploration of sound and imagery, with the central motif of a painted bird navigating its flock serving as a powerful metaphor.
"The Painted Bird | Bastard" opens with "The Field," setting the stage for a sonic exploration that spans genres and defies easy categorization. Tracks like "Orange Coat" and "Forty-Seven" showcase Frederickson's knack for creating atmospheric, textured soundscapes, while "Aggressor" and "Silent Witness" delve into more abrasive, intense territories. The album's title track, "The Painted Bird," is a standout, encapsulating the album's themes of isolation, acceptance, and the struggle for belonging.
Beyond the music, "The Painted Bird | Bastard" is also part of a larger artistic endeavor by Frederickson. In 2010, he performed a solo dance piece titled "The Painted Bird series," which followed the themes and imagery of the album. This interdisciplinary approach adds an extra layer of depth to the music, inviting listeners to engage with the sounds and ideas on multiple levels.
With its evocative imagery and sonic diversity, "The Painted Bird | Bastard" is a compelling addition to Christian Frederickson's discography. Whether you're a long-time fan or a newcomer to his work, this album offers a rich, immersive listening experience that rewards repeated listens.
Vinylscout