Sasha Johnson Manning's "The Manchester Carols" is a captivating musical journey, released on December 15, 2009, under the Naxos label. This enchanting album is a collaboration between Manning and poet Carol Ann Duffy, featuring a cycle of poems set to music. With a duration of 1 hour and 3 minutes, the album comprises 16 tracks, including standout pieces like "The Carol Singers' Carol," "Let It be cold," and "We Believe."
The Manchester Carols were first performed in 2007 at the Royal Northern College of Music, and the album brings together the Manchester Carollers and the Northern Chamber Orchestra, conducted by Richard Tanner. The compositions are written for unison/upper voices and equal voices, creating a harmonious blend that showcases the beauty of the text and the music. The album is a testament to Manning's skill as a composer, with her orchestrations sometimes subtly complementing and other times powerfully enhancing Duffy's evocative poetry.
This album is not just a collection of carols but a celebration of the festive season, with each track offering a unique perspective on the Christmas narrative. From the joyous "Christmas Flowers" to the reflective "Annunciation," the album offers a diverse range of moods and styles. The Manchester Carols is a timeless addition to any music lover's collection, offering a fresh and inspiring take on traditional themes.
Sasha Johnson Manning is a British composer and singer with a rich musical background. She graduated from the prestigious Royal Academy of Music in London, where she studied voice, cello, and piano. Beginning her composition journey at the young age of seven, Sasha has since created a diverse portfolio of vocal pieces that showcase her unique talent and artistry. Her works, such as "Rocking Hymn" and "The Virgin's Cradle Hymn," are available on major streaming platforms like Spotify and Apple Music, inviting listeners to explore her captivating compositions. Sasha's music has been performed by esteemed groups like the St. Thomas Choir of Men and Boys and the Laestadian Lutheran Church, further cementing her reputation as a notable figure in the world of vocal music.
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