Ellen Fullman's "The Long String Instrument," originally released in 1985 and reissued in 2015, is a mesmerizing exploration of sound and space. This album, spanning a concise 34 minutes, showcases Fullman's innovative use of her self-designed long string instrument, creating a sonic landscape that is both intimate and expansive. The five tracks, including "Woven Processional" and "Memory of a Big Room (For Matthew)," weave together drone, minimalism, and avant-garde elements, offering a unique listening experience.
Fullman's work on this album is a testament to her pioneering spirit in the experimental music scene. The Long String Instrument is not just a collection of tracks but a cohesive journey through sound, where each piece builds upon the last, creating a sense of continuity and flow. The minimalist approach allows for a deep dive into the subtle nuances of each note, making it a perfect album for those who appreciate the finer details in music.
The album's production credits include design by Hans Arnold and Ton Homburg, with mastering by Geert De Vries, ensuring a high-quality listening experience. The vinyl release on Superior Viaduct further emphasizes the album's artistic and sonic depth.
For fans of drone, minimalism, and experimental music, "The Long String Instrument" is a captivating addition to any collection. Ellen Fullman's innovative approach and the album's rich, immersive soundscapes make it a standout work in the realm of avant-garde music.
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