Schubert: Gretchen am Spinnrade, Op. 2, D. 118Franz Schubert, Janet Baker, Gerald Moore
Schubert: Suleika I, Op. 14 No. 1 No. 1, D. 720Franz Schubert, Janet Baker, Gerald Moore
Schubert: Suleika II, Op. 31, D. 717 "Ach um deine feuchten Schwingen"Franz Schubert, Janet Baker, Gerald Moore
Schubert: Schwestergruß, D. 762Franz Schubert, Janet Baker, Gerald Moore
Schubert: Schlaflied, Op. 24 No. 2, D. 527Franz Schubert, Janet Baker, Gerald Moore
Schubert: An die untergehende Sonne, Op. 44, D. 457Franz Schubert, Janet Baker, Gerald Moore
Schubert: Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 2, Lied der Mignon IFranz Schubert, Janet Baker, Gerald Moore
Schubert: Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 3, Lied der Mignon IIFranz Schubert, Janet Baker, Gerald Moore
Schubert: Gesänge aus Wilhelm Meister, Op. 62, D. 877: No. 4, Lied der Mignon IIIFranz Schubert, Janet Baker, Gerald Moore
Schubert: Mignon, D. 321Franz Schubert, Janet Baker, Gerald Moore
Schubert: Bertas Lied in der Nacht, D. 653Franz Schubert, Janet Baker, Gerald Moore
Schubert: Herrn Josef Spaun, D. 749Franz Schubert, Janet Baker, Gerald Moore
Schubert: Ellens Gesang I, Op. 52 No. 1, D. 837Franz Schubert, Janet Baker, Gerald Moore
Schubert: Ellens Gesang II, Op. 52 No. 2, D. 838Franz Schubert, Janet Baker, Gerald Moore
Schubert: Ave Maria, Op. 52 No. 6, D. 839Franz Schubert, Janet Baker, Gerald Moore
Schubert: Claudine von Villa Bella, D. 239, Act I: Ariette. "Hin und wieder fliegen die Pfeile" (Arr. for Voice and Piano)Franz Schubert, Janet Baker, Gerald Moore
Schubert: Claudine von Villa Bella, D. 239, Act I: Ariette. "Lieber schwärmt auf allen Wegen" (Arr. for Voice and Piano)Franz Schubert, Janet Baker, Gerald Moore
Schubert: An die Nachtigall, Op. 98 No. 1, D. 497Franz Schubert, Janet Baker, Gerald Moore
Schubert: Wiegenlied, Op. 98 No. 2, D. 498Franz Schubert, Janet Baker, Gerald Moore
Schubert: Szenen aus dem Schauspiel "Lacrimas", Op. Posth. 124, D. 857: No. 2, Lied der DelphineFranz Schubert, Janet Baker, Gerald Moore
Schubert: Wiegenlied, Op. 105 No. 2, D. 867Franz Schubert, Janet Baker, Gerald Moore
Schubert: Refrainlieder, Op. 95, D. 866: No. 3, Die Männer sind méchantFranz Schubert, Janet Baker, Gerald Moore
Schubert: Iphigenia, Op. 98 No. 3, D. 573Franz Schubert, Janet Baker, Gerald Moore
Schubert: Das Mädchen, D. 652Franz Schubert, Janet Baker, Gerald Moore
Schubert: 2 Lieder, Op. 43: No. 1, Die junge Nonne, D. 828Franz Schubert, Janet Baker, Gerald Moore
Schubert: Am Grabe Anselmo's, Op. 6 No. 3, D. 504Franz Schubert, Janet Baker, Gerald Moore
Schubert: Abendstern, D. 806Franz Schubert, Janet Baker, Gerald Moore
Schubert: Die Vögel, Op. Posth. 172 No. 6, D. 691Franz Schubert, Janet Baker, Gerald Moore
Schubert: Die Götter Griechenlands, D. 677Franz Schubert, Janet Baker, Gerald Moore
Schubert: Gondelfahrer, D. 808Franz Schubert, Janet Baker, Gerald Moore
Schubert: Auflösung, D. 807Franz Schubert, Janet Baker, Gerald Moore
Schubert: Die Forelle, Op. 32, D. 550Franz Schubert, Janet Baker, Geoffrey Parsons
Immerse yourself in the timeless artistry of Dame Janet Baker with "The Great EMI Recordings - German Lieder: Schubert, Mendelssohn, Schumann, Brahms." This exquisite collection, released on Warner Classics in 2013, is a testament to Baker's unparalleled mastery of German lieder. Spanning nearly three hours, this album is a comprehensive journey through the works of four of the most revered composers in classical music history.
The album features a stunning array of Schubert's most beloved lieder, including "Gretchen am Spinnrade," "Ave Maria," and "Der Tod und das Mädchen," showcasing Baker's extraordinary vocal range and emotional depth. Mendelssohn's contributions are equally captivating, with pieces like "Auf Flügeln des Gesanges" and "Neue Liebe" highlighting her ability to convey both tenderness and passion.
Baker's interpretations of Schumann's and Brahms's lieder are no less remarkable. Her renditions of Schumann's "Dichterliebe" and Brahms's "Wiegenlied" are particularly noteworthy, demonstrating her unmatched skill in bringing these complex works to life.
This album is not just a collection of songs; it is a masterclass in vocal performance. Baker's impeccable technique, combined with her profound understanding of the music, makes this recording a must-listen for any classical music enthusiast. Whether you are a longtime fan of Dame Janet Baker or a newcomer to the world of German lieder, this album is sure to leave a lasting impression.
Dame Janet Baker, the renowned English mezzo-soprano, captivated audiences worldwide from the 1950s to the 1980s with her extraordinary vocal expression and commanding stage presence. Born on 21 August 1933 in Hatfield, Yorkshire, Baker became synonymous with British music, art song, sacred music, and Classical and pre-Classical opera. Her definitive interpretations of Elgar's "Sea Pictures" and the Angel in "Gerontius" remain unparalleled. Baker's repertoire spanned opera, concert, and lieder, with her performances of Purcell's "Dido and Aeneas" being particularly celebrated. Her rich, emotive voice and profound musicality continue to inspire classical music enthusiasts, making her a legendary figure in the world of opera and concert singing.