Cantata No. 82, BWV 82 'Ich habe genug': Recit: Mein Gott! wann kommt das Schöne Nun!Yehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No. 82, BWV 82 'Ich habe genug': Aria: Ich freue mich auf meinen TodYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': SinfoniaYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': Arioso: Gott soll allein meine Herze habenYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': Aria: Gott soll allein meine Herze habenYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': Recit: Was ist die Liebe Gottes?Yehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': Aria: Stirb in mirYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': Recit: Doch meint es auch dabeiYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Cantata No.169 'Gott soll allein mein Herz haben': Choral: Du süsse Liebe, schenk' uns deine GunstYehudi Menuhin, Bath Festival Orchestra, Janet Baker
Mund und Herze steht dir offen (from Cantata No. 148)Rudolf Seith, Hans Plumacher, Emil Morneweg, Rudolf Ewerhart, Janet Baker
Gott ist unser Sonn' und Schild! (from Cantata No. 79)Rudolf Seith, Hans Plumacher, Emil Morneweg, Rudolf Ewerhart, Janet Baker
Cantata No. 147, BWV 147 'Herz und Mund und Tat und Leben', Part I: Aria: Schäme dich, O Seele (A)Sir David Willcocks, John Shirley-Quirk, Ian Partridge, Choir of King's College, Cambridge, Janet Baker, Elly Ameling, Academy of St. Martin in the Fields
Cantata No.161 - Komm, du süsse TodesstundeSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Magnificat in D - Et exultavit, BWV 243Sir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Cantata No. 190 - Lobe, Zion, deinen GottSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
St. John Passion - Es ist vollbrachtSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Bist du bei mir (from the notebook of Anna Magdalena Bach)Sir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Cantata No.6 - Hochgelobter GottesohnSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Cantata No.129 - Gelobet sei der HerrSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Aria: Saget, saget mir geschwinde from Easter Oratorio, BWV 249Sir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Bereite dich, Zion from Christmas Oratorio, BWV 248Sir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Cantata No.11 - Ach, bleibe dochSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Cantata No. 34 - Wohl euch, ihr auserwählten SeelenSir Neville Marriner, Janet Baker, Academy of St. Martin in the Fields
Christmas Oratorio, BWV 248, Cantata 2: Schlafe, mein LiebsterRobert Tear, Philip Ledger, Choir of King's College, Cambridge, Dietrich Fischer-Dieskau, Janet Baker, Elly Ameling, Academy of St. Martin in the Fields
Christmas Oratorio, BWV 248, Cantata 3: Schliesse, mein HerzeRobert Tear, Philip Ledger, Choir of King's College, Cambridge, Dietrich Fischer-Dieskau, Janet Baker, Elly Ameling, Academy of St. Martin in the Fields
Mass in B Minor, BWV 232, Gloria: Laudamus teHermann Prey, New Philharmonia Orchestra, Otto Klemperer, Agnes Giebel, Nicolai Gedda, Franz Crass, BBC Chorus, Janet Baker
Mass in B Minor, BWV 232, Gloria: Qui sedes ad dextram PatrisHermann Prey, New Philharmonia Orchestra, Otto Klemperer, Agnes Giebel, Nicolai Gedda, Franz Crass, BBC Chorus, Janet Baker
Mass in B Minor, BWV 232, Sanctus: Agnus DeiHermann Prey, New Philharmonia Orchestra, Otto Klemperer, Agnes Giebel, Nicolai Gedda, Franz Crass, BBC Chorus, Janet Baker
Messiah, HWV 56, Part 1: O thou that tellest (alto air: Andante)Robert Tear, Sir Charles Mackerras, Raimund Herincx, Elizabeth Harwood, Paul Esswood, English Chamber Orchestra, Janet Baker, Ambrosian Singers
Messiah, HWV 56, Part 2: He was despised (alto air: Largo)Robert Tear, Sir Charles Mackerras, Raimund Herincx, Elizabeth Harwood, Paul Esswood, English Chamber Orchestra, Janet Baker, Ambrosian Singers
Italian Cantata No.1 - Ah! crudel nel pianto mio: SinfoniaRaymond Leppard, English Chamber Orchestra, Janet Baker
Italian Cantata No.1 - Ah! crudel nel pianto mio: Aria: Ah! Crudel nel pianto mioRaymond Leppard, English Chamber Orchestra, Janet Baker
Italian Cantata No.1 - Ah! crudel nel pianto mio: Recit: Non sdegnerai d'amorRaymond Leppard, English Chamber Orchestra, Janet Baker
Italian Cantata No.1 - Ah! crudel nel pianto mio: Aria: Di quel bel che il ciel ti diedeRaymond Leppard, English Chamber Orchestra, Janet Baker
Italian Cantata No.1 - Ah! crudel nel pianto mio: Recit: Balena il cieloRaymond Leppard, English Chamber Orchestra, Janet Baker
Italian Cantata No.1 - Ah! crudel nel pianto mio: Aria: Per trofei di mia constennaRaymond Leppard, English Chamber Orchestra, Janet Baker
Dive into the rich tapestry of Baroque and Pre-Baroque masterworks with Dame Janet Baker's "The Great EMI Recordings - Baroque and Pre-Baroque masterworks: Monteverdi, Scarlatti, Bach, Handel." Released on June 28, 2013, this extensive collection spans nearly four and a half hours, showcasing Baker's extraordinary vocal prowess and interpretive depth. The album is a testament to her enduring legacy, featuring iconic compositions from some of the most celebrated composers in classical music history.
Janet Baker, renowned for her powerful mezzo-soprano voice and profound emotional delivery, brings to life a diverse array of pieces. The tracklist includes timeless works such as Monteverdi's "L'Arianna" and "L'incoronazione di Poppea," Bach's cantatas and sacred works like the "Magnificat" and "Mass in B Minor," and Handel's "Messiah." Each piece is performed with meticulous attention to detail, highlighting Baker's ability to convey the essence of each composition.
The album is a comprehensive journey through the Baroque era, offering a blend of operatic arias, sacred choral works, and cantatas. Baker's interpretations are both technically impeccable and deeply expressive, making this collection a must-listen for classical music enthusiasts. Whether you are a longtime admirer of Janet Baker or a newcomer to her work, this album offers a profound and enriching listening experience.
(C) 2013 EMI Records LtdThis compilation (P) 2013 EMI Records Ltd
About Janet Baker
Dame Janet Baker, the renowned English mezzo-soprano, captivated audiences worldwide from the 1950s to the 1980s with her extraordinary vocal expression and commanding stage presence. Born on 21 August 1933 in Hatfield, Yorkshire, Baker became synonymous with British music, art song, sacred music, and Classical and pre-Classical opera. Her definitive interpretations of Elgar's "Sea Pictures" and the Angel in "Gerontius" remain unparalleled. Baker's repertoire spanned opera, concert, and lieder, with her performances of Purcell's "Dido and Aeneas" being particularly celebrated. Her rich, emotive voice and profound musicality continue to inspire classical music enthusiasts, making her a legendary figure in the world of opera and concert singing.
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The Great EMI Recordings - Baroque and Pre-Baroque masterworks: Monteverdi, Scarlatti, Bach, Handel - Janet Baker - Vinyl LP
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Janet Baker
