The Ellington Album "All Too Soon"

Album Description

Dive into the rich, swinging world of jazz with Milt Jackson's "The Ellington Album 'All Too Soon'." Released in 1980, this album is a masterful collection of instrumental tracks that pay homage to the legendary Duke Ellington. Milt Jackson, renowned for his work with the Modern Jazz Quartet, brings his unique vibraphone style to this project, accompanied by an all-star lineup including Ray Brown on bass, Mickey Roker on drums, and Joe Pass on guitar.

The album features a blend of hard bop, bebop, cool jazz, and jazz blues, showcasing Jackson's versatility and mastery of the genre. Each track is a testament to the timeless appeal of Ellington's compositions, reimagined with a fresh, vibrant energy. From the sultry "Sophisticated Lady" to the upbeat "Take The 'A' Train," every song is a journey through the rich tapestry of jazz history.

"All Too Soon" stands out with its evocative rendition of the famous saxophone section riff, while "I'm Beginning To See The Light" swings with a lunging energy that is infectious. The album's 11 tracks, spanning 47 minutes, offer a comprehensive exploration of Ellington's influence and Jackson's interpretive genius. Whether you're a seasoned jazz enthusiast or a newcomer to the genre, this album is a delightful addition to any collection.

1 januari 1980

℗ 1980 Pablo Records, Inc.

About Milt Jackson

Milt Jackson, affectionately nicknamed "Bags," was a pioneering force in jazz, renowned for his virtuosic skills on the vibraphone and his ability to blend various styles seamlessly. Born in Detroit, Michigan, Jackson's career spanned over five decades, during which he collaborated with some of the most influential figures in jazz, including Dizzy Gillespie, Thelonious Monk, Miles Davis, and John Coltrane. His work with the Modern Jazz Quartet, which he co-founded, is particularly celebrated for its cool, swinging solos and innovative compositions. Jackson's versatility allowed him to excel in hard bop, bebop, cool jazz, and jazz blues, making him a true master of the genre. His legacy as a NEA Jazz Master and a pioneer of bebop continues to inspire musicians and fans alike, cementing his place as one of the most celebrated vibraphonists in jazz history.