The Damage Is Done

Album Description

Dive into the raw and unfiltered world of avant-garde jazz with Peter Brötzmann's "The Damage Is Done," a captivating live album recorded at 'Alchemia' in Krakow. This double-disc set captures two complete, uncut performances from March 16, 2008, mixed and mastered in June 2009, and released on December 24, 2009, under the NotTwo label. Brötzmann, renowned for his powerful multi-reed work, is joined by an equally formidable lineup: trumpeter and reedist Joe McPhee, bassist Kent Kessler, and drummer Michael Zerang. Together, they deliver a relentless and intense free jazz experience that spans over an hour and forty-two minutes across six tracks. From the opening title track to the final descent into "Into the Hades," the album is a testament to the sheer power and spontaneity of collective improvisation. The gatefold cardboard sleeve houses this sonic journey, making it a standout addition to any jazz enthusiast's collection.

December 24, 2009

2009 NotTwo Records

About Peter Brötzmann

Peter Brötzmann, a titan of European free jazz, was a saxophonist and clarinetist whose powerful and uncompromising playing style left an indelible mark on the genre. Born in Remscheid, Germany, Brötzmann's journey into jazz began at the age of 13, inspired by a transformative concert by Sidney Bechet. Throughout his career, he released over fifty albums as a bandleader, collaborating with legendary figures such as Derek Bailey, Anthony Braxton, and Cecil Taylor, as well as experimental musicians like Keiji Haino and Charles Hayward. His 1968 album "Machine Gun" is hailed as a landmark of 20th-century free jazz, showcasing his radical and energetic approach to music. Brötzmann's playing was known for its intensity and raw emotional power, yet he could also deliver subtle and tender sounds, demonstrating his versatility and depth as an artist. His music was a reflection of his compassionate nature and deep connection to the natural world, breaking down barriers and exploring the beauty of life. Brötzmann's influence on free jazz is immeasurable, and his legacy continues to inspire musicians and enthusiasts alike.