The Beginnings. West Coast Years 1959-1962

Album Description

Dive into the early career of jazz legend Gary Peacock with "The Beginnings. West Coast Years 1959-1962," a captivating collection of tracks that span nearly an hour and a half. Released on November 15, 2020, via Fresh Sound Records, this album is a treasure trove for jazz enthusiasts, offering a rare glimpse into Peacock's formative years on the West Coast.

"The Beginnings. West Coast Years 1959-1962" features Gary Peacock in his early days, collaborating with notable quartets such as the Carmell Jones Quartet, the Bud Shank Quartet, and the Clare Fischer Quartet. The album is a testament to Peacock's versatility and mastery of the bass, showcasing his prowess in both traditional jazz and free jazz genres.

The album's twelve tracks, including standout pieces like "Willow Weep for Me" and "Blues in the Surf," offer a rich tapestry of sounds that highlight Peacock's innovative approach to music. Each song is a journey through the vibrant jazz scene of the late 1950s and early 1960s, capturing the spirit and energy of the era.

Whether you're a longtime fan of Gary Peacock or a newcomer to his music, "The Beginnings. West Coast Years 1959-1962" is an essential addition to any jazz collection. This album not only celebrates Peacock's early contributions to the genre but also serves as a historical document of a pivotal time in jazz history.

November 15, 2020

2020 Fresh Sound Records

About Gary Peacock

Gary Peacock, born in 1935, was a renowned American jazz double bassist whose subtle yet adventurous style left an indelible mark on the genre. Beginning his career in the 1960s, Peacock's versatility and creative prowess made him an invaluable member of various significant ensembles. He was a key figure in Keith Jarrett’s legendary "Standards Trio," alongside drummer Jack DeJohnette, with whom he recorded over twenty albums and performed for more than three decades. Peacock's ability to provide graceful support was evident in his collaborations with other jazz luminaries such as Albert Ayler, Bill Evans, Paul Bley, and Marilyn Crispell. His distinctive sound and harmonic sensibility earned him admiration from peers and critics alike, making him one of the most versatile and respected bassists in jazz history.