Dive into the exquisite world of Baroque chamber music with Marion Verbruggen's "The Art of the Recorder," a captivating album released in 1989. This collection, featuring Verbruggen on the recorder and the esteemed Trio Sonnerie, offers a rich tapestry of compositions that span the Baroque era, showcasing the versatility and beauty of the recorder.
The album opens with the lively "Sonata seconda" by Giovanni Battista Fontana, setting the stage for a journey through the intricate and expressive works of the period. Verbruggen's masterful playing is complemented by the skilled ensemble of Monica Huggett on violin, Sarah Cunningham on viola da gamba, and Mitzi Meyerson on harpsichord, creating a harmonious blend of timbres that bring each piece to life.
Highlights include the playful "Frais et gaillard" by Giovanni Bassano and Jacobus Clemens non Papa, the tender "Amor che col partire" by Cipriano de Rore, and the iconic "Couplets de Folies" by Marin Marais. The album also features selections from Bach's sonatas, including the Sonata in G minor, BWV 1034, and the Trio Sonata No. 3 in D minor, BWV 527, demonstrating the composer's genius and the ensemble's technical prowess.
With a duration of just under 50 minutes, "The Art of the Recorder" is a concise yet comprehensive exploration of the recorder's role in Baroque chamber music. Verbruggen's artistry and the Trio Sonnerie's impeccable musicianship make this album a standout in the classical repertoire, offering both connoisseurs and newcomers to the genre a delightful listening experience. The album is released under the Decca (UMO) label.
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