Immerse yourself in the world of Sigismond Thalberg with the captivating album "Thalberg: L'art du chant." This exquisite collection, released on November 6, 2020, under the BIS label, showcases Thalberg's virtuoso piano arrangements of operatic and vocal works, transforming them into stunning piano masterpieces. Spanning a generous 2 hours and 18 minutes, the album is a testament to Thalberg's extraordinary skill and creativity.
The album features 31 tracks, including the complete "L'art du chant appliqué au piano, Op. 70," a series of elaborate transcriptions of music from operas and works by composers such as Mozart, Rossini, Weber, Mendelssohn, Beethoven, and Schubert. Each piece is a brilliant showcase of Thalberg's ability to capture the essence of the original vocal lines and orchestrations, reimagining them for the piano with remarkable finesse.
Thalberg's arrangements are not merely technical displays; they are deeply expressive and evocative, revealing the composer's profound understanding of both the piano and the human voice. The album is performed by the talented pianist Paul Wee, who brings Thalberg's intricate and demanding compositions to life with precision and passion. Wee's performance is a testament to his own virtuosity and his deep connection with Thalberg's music.
"Thalberg: L'art du chant" is a must-listen for anyone interested in classical piano music, opera, or the history of musical transcription. It offers a unique perspective on some of the most beloved works in the classical repertoire, seen through the eyes of one of the 19th century's most celebrated pianists. Whether you are a seasoned classical music enthusiast or a newcomer to the genre, this album is sure to captivate and inspire you.
2020 BIS2020 BIS
Tracks
L'art du chant appliqué au piano, Op. 70: No. 1, A te, o cara (After Bellini's "I puritani")Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 2, Tre giorni (After Ciampi) [Attrib. Pergolesi's P. 106]Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 3, Adelaide (After Beethoven's Op. 46)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 4, Pietà, signore (Attrib. Stradella)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 5a, Lacrimosa (After Mozart's K. 626)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 5b, Sull'aria (After Mozart's K. 492)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 6, Perchè mi guardi e piangi (After Rossini's "Zelmira")Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 7, Bella adorate incognita (After Mercadante's "Il giuramento")Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 8, Nel silenzio fra l'orror (After Meyerbeer's "Il crociato in Egitto")Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 9, Einsam bin ich nicht alleine (After Weber's J. 279)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 10, Der Müller und der Bach (After Schubert's D. 795)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 11, Schelm, halt fest! (After Weber's J. 277)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 12, Il mio tesoro (After Mozart's K. 527)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 13, Sérénade (After Rossini's "Il barbiere di Siviglia")Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 14, La dove prende (After Mozart's K. 620)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 15, Barcarolle (After Donizetti's "Gianni di Calais")Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 16a, Protegga il giusto cielo (After Mozart's K. 527)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 16b, Là ci darem la mano (After Mozart's K. 527)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 17, Sérénade (After Grétry's "L'amant jaloux")Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 18, Assisa a piè d'un salice (After Rossini's "Otello")Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 19, Casta diva (After Bellini's "Norma")Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 20, Voi che sapete (After Mozart's K. 492)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 21, Fröhliche Klänge, Tänze, Gesänge (After Weber's J. 291)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 22, Dafydd y garreg wenSigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 23, Ein Mädchen, das auf Ehre hielt (After Haydn's Hob. XXI:3)Sigismond Thalberg, Paul Wee
L'art du chant appliqué au piano, Op. 70: No. 24, Fenesta vascia (After Cottrau)Sigismond Thalberg, Paul Wee
3 Mélodies de Franz Schubert, Op. 79: No. 1, Täuschung (After Schubert's D. 911)Sigismond Thalberg, Paul Wee
3 Mélodies de Franz Schubert, Op. 79: No. 2, Der Neugierige (After Schubert's D. 795)Sigismond Thalberg, Paul Wee
3 Mélodies de Franz Schubert, Op. 79: No. 3, Die Post (After Schubert's D. 911)Sigismond Thalberg, Paul Wee
Auf Flügeln des Gesanges (After Mendelssohn's MWV K 86)Sigismond Thalberg, Paul Wee
10 Piano Pieces, Op. 36: No. 3, Mi manca la voce (After Rossini's "Mosè in Egitto")Sigismond Thalberg, Paul Wee