Swingin' in Seattle Live at the Penthouse 1966-1967

Cannonball Adderley's 'Swingin' in Seattle Live at the Penthouse 1966-1967' is a captivating jazz album that embodies the essence of his iconic live performances. Released on 10 July 2020 by Cellar Live, this 1 hour and 13-minute masterpiece showcases Adderley's incredible talent, blending genres such as hard bop, jazz, bebop, cool jazz, and jazz blues.

The album features a collection of live tracks, including 'The Girl Next Door', 'Sticks', 'Manhã De Carnaval', and 'Somewhere', each demonstrating Adderley's unique ability to craft mesmerising melodies and solos. The inclusion of spoken introductions and outros, courtesy of Jim Wilke, adds a personal touch to the recording, providing insight into the context and atmosphere of the performances.

With tracks like '74 Miles Away', 'Back Home Blues', and 'Hippodelphia', Cannonball Adderley's 'Swingin' in Seattle Live at the Penthouse 1966-1967' is a testament to his skill as a musician and his capacity to evoke emotion through his music. This album is a must-listen for fans of jazz and those seeking to experience the magic of Cannonball Adderley's live performances.

Cannonball Adderley, born Julian Edwin Adderley, was a titan of the jazz world, renowned for his powerful and soulful alto saxophone playing. A key figure in the hard bop movement of the 1950s and 1960s, Adderley's career was marked by his distinctive sound and his ability to blend jazz with soul and funk, creating a unique and enduring legacy. He gained prominence as a member of Miles Davis' band and later formed his own quintet with his brother, Nat Adderley, releasing a string of influential albums. Adderley's crossover hit "Mercy, Mercy, Mercy" showcased his versatility and appeal beyond traditional jazz audiences. His discography, including classics like "Somethin' Else," reflects his innovative spirit and his impact on the evolution of jazz. Adderley's dynamic performances and passionate playing style continue to inspire musicians and captivate fans worldwide. Despite his untimely passing at the age of 46, his contributions to jazz remain monumental, solidifying his status as one of the genre's true innovators.