Strozzi: Primo libro de' madrigali, Op. 1

Album Description

Immerse yourself in the rich, baroque world of Barbara Strozzi with her seminal work, "Primo libro de' madrigali, Op. 1." Released on December 31, 1997, this album is a captivating collection of madrigals, a genre that Strozzi masterfully revived and popularized during the 17th century. Each of the 17 tracks on this album is a testament to Strozzi's extraordinary vocal prowess and her innovative approach to composition.

Barbara Strozzi, often referred to as "La Virtuosa di Venezia," was a trailblazer in the male-dominated musical landscape of her time. Her "Primo libro de' madrigali" is not just a musical piece but a historical artifact that showcases her unique ability to blend poetic lyricism with intricate musical structures. The album, recorded with the ensemble La Venexiana and conducted by Claudio Cavina, offers a vivid portrayal of Strozzi's artistic vision, capturing the essence of her work with remarkable clarity and precision.

The tracks, ranging from the lively "Volano frettolosi" to the poignant "Mi tien Filli," are a journey through the human experience, touching on themes of love, longing, and the complexities of the heart. Strozzi's use of multiple voices and basso continuo creates a rich, textured soundscape that is both intimate and grand, making this album a timeless masterpiece that continues to resonate with audiences today.

Whether you're a seasoned classical music enthusiast or a newcomer to the genre, "Primo libro de' madrigali, Op. 1" offers a profound and enriching listening experience. Barbara Strozzi's groundbreaking work is a must-explore for anyone interested in the evolution of vocal music and the enduring legacy of one of history's most remarkable composers.

December 31, 1997

1997 Cantus Records

About Barbara Strozzi

Barbara Strozzi, born in 1619 in Venice, was a trailblazing composer and singer of the Baroque period, renowned for her extraordinary vocal prowess and prolific output. As one of the few women of her time to publish her own compositions, Strozzi defied social norms and left an indelible mark on the musical landscape. She published eight volumes of her own music, boasting more secular vocal works in print than any other composer of her era, all without the backing of the Church or consistent noble patronage. Strozzi's music, primarily composed for soprano, reflects her deep ties to the operatic traditions of her native Venice, showcasing her unique blend of virtuosity and emotional depth. Her life, marked by creativity and intellectual fervour, continues to inspire and captivate music enthusiasts today.