Strozzi: Ariette a voce sola, Op. 6

Album Description

Discover the enchanting vocal artistry of Barbara Strozzi, a woman of extraordinary talent and intellect, through her captivating collection "Ariette a voce sola, Op. 6." Released in 2012 by Tactus, this album is a mesmerizing journey through the Baroque era, showcasing Strozzi's unique ability to blend passion, drama, and technical brilliance in her compositions.

The album features a selection of nine arias, performed with exquisite delicacy by countertenor Tadashi Miroku and accompanied by the graceful harpsichord playing of Silvia Rambaldi. Each track, from the pleading "Non pavento io non di te" to the heartfelt "Filli mia che mi feri," offers a glimpse into Strozzi's profound emotional depth and her mastery of the Italian vocal style.

What sets this album apart is its intimate setting, with the harpsichord providing a subtle yet rich backdrop to Strozzi's intricate melodies. Unlike other recordings of her work, this collection focuses on the purity of the voice and the harpsichord's delicate resonance, creating an atmosphere of tender vulnerability.

Barbara Strozzi's "Ariette a voce sola, Op. 6" is not just a collection of songs; it's a testament to the power of a woman's voice in a time when opportunities for female composers were scarce. This album is a celebration of Strozzi's enduring legacy, inviting you to explore the beauty and complexity of her music. Whether you're a seasoned classical music enthusiast or a newcomer to the Baroque genre, this album promises a rewarding and enriching listening experience.

October 1, 2012

2012 Tactus

2012 (P) Tactus

About Barbara Strozzi

Barbara Strozzi, born in 1619 in Venice, was a trailblazing composer and singer of the Baroque period, renowned for her extraordinary vocal prowess and prolific output. As one of the few women of her time to publish her own compositions, Strozzi defied social norms and left an indelible mark on the musical landscape. She published eight volumes of her own music, boasting more secular vocal works in print than any other composer of her era, all without the backing of the Church or consistent noble patronage. Strozzi's music, primarily composed for soprano, reflects her deep ties to the operatic traditions of her native Venice, showcasing her unique blend of virtuosity and emotional depth. Her life, marked by creativity and intellectual fervour, continues to inspire and captivate music enthusiasts today.