Dive into the avant-garde jazz realm with Muhal Richard Abrams' "Streaming," a captivating album released in 2006 on the esteemed Pi Recordings label. This isn't just another jazz record; it's a testament to the boundary-pushing spirit of its creators. Joining Abrams are fellow innovators George Lewis and Roscoe Mitchell, together crafting an hour and thirteen minutes of spontaneous, free-form improvisation that defies conventional genre constraints.
"Streaming" is a live recording from 2005, capturing the raw energy and collective genius of these three masters. The album comprises five tracks: "Scrape," "Bound," "Dramaturns," "Soundhear," and the title track "Streaming." Each piece is a unique exploration of sound, with the musicians responding to one another in real-time, creating a dynamic and unpredictable listening experience.
Muhal Richard Abrams, a founding member of the Association for the Advancement of Creative Musicians (AACM), brings his signature pianistic prowess and compositional acumen to the fore. Lewis, a trombonist and composer known for his work in computer music, and Mitchell, a saxophonist and flutist renowned for his work with the Art Ensemble of Chicago, round out the trio, each contributing their distinctive voices to the collective sound.
The album's free jazz and avant-garde sensibilities are evident from the start, with "Scrape" opening with a flurry of activity that sets the tone for the rest of the record. "Bound" and "Dramaturns" offer moments of introspection and tension, while "Soundhear" and the closing "Streaming" showcase the group's collective virtuosity and improvisational prowess.
"Streaming" is a thrilling exploration of sound, a testament to the power of collective improvisation, and a vital addition to any jazz enthusiast's collection. It's a record that demands attention and rewards repeated listening, revealing new layers and nuances with each spin. So, grab your headphones and prepare to be transported to the cutting edge of jazz.
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