Immerse yourself in the rich tapestry of Richard Strauss's orchestral genius with this comprehensive collection of his seminal works. Released on Deutsche Grammophon, this album spans nearly four hours of captivating music, showcasing Strauss's mastery of the late Romantic and early modern styles. From the dramatic intensity of "Also sprach Zarathustra" to the whimsical charm of "Till Eulenspiegels lustige Streiche," each piece is a testament to Strauss's unparalleled ability to evoke vivid imagery and deep emotion through his compositions.
The album features a diverse range of Strauss's orchestral works, including excerpts from his operas and tone poems. Highlights include the iconic "Dance of the Seven Veils" from "Salome," the lush "Concert Suite for Orchestra" from "Der Rosenkavalier," and the monumental "Eine Alpensinfonie," which demands a full orchestra of about 125 players. Each track is performed with precision and passion, bringing Strauss's intricate scores to life.
This collection is not just for classical aficionados; it's an invitation to explore the breadth and depth of Richard Strauss's musical legacy. Whether you're familiar with his works or discovering them for the first time, this album offers a rich and rewarding listening experience. Dive into the world of Richard Strauss and let his music transport you to realms of unparalleled beauty and drama.
Salome, Op. 54, TrV 215: Dance of the Seven VeilsRichard Strauss, Gewandhausorchester, Andris Nelsons
Vier sinfonische Zwischenspiele aus Intermezzo, TrV 246a: I. Reisefieber und WalzerszeneRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Vier sinfonische Zwischenspiele aus Intermezzo, TrV 246a: II. Träumerei am KaminRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Vier sinfonische Zwischenspiele aus Intermezzo, TrV 246a: III. Am SpieltischRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Vier sinfonische Zwischenspiele aus Intermezzo, TrV 246a: IV. Fröhlicher BeschlußRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Der Rosenkavalier – Concert Suite for Orchestra, WoO 145, TrV 227d: I. Con moto agitatoRichard Strauss, Gewandhausorchester, Andris Nelsons
Der Rosenkavalier – Concert Suite for Orchestra, WoO 145, TrV 227d: II. Allegro moltoRichard Strauss, Gewandhausorchester, Andris Nelsons
Der Rosenkavalier – Concert Suite for Orchestra, WoO 145, TrV 227d: III. Tempo di Valse, assai comodo da primoRichard Strauss, Gewandhausorchester, Andris Nelsons
Der Rosenkavalier – Concert Suite for Orchestra, WoO 145, TrV 227d: IV. Moderato molto sostenutoRichard Strauss, Gewandhausorchester, Andris Nelsons
Der Rosenkavalier – Concert Suite for Orchestra, WoO 145, TrV 227d: V. Quick Waltz. Molto con motoRichard Strauss, Gewandhausorchester, Andris Nelsons
Feuersnot, Op. 50, TrV 203: Love SceneRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Schlagobers Suite, TrV 243a: IV. SchlagoberswalzerRichard Strauss, Gewandhausorchester, Andris Nelsons
Till Eulenspiegels lustige Streiche, Op. 28, TrV 171: I. Es war einmal ein SchalksnarrRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Till Eulenspiegels lustige Streiche, Op. 28, TrV 171: II. Tills StreicheRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Till Eulenspiegels lustige Streiche, Op. 28, TrV 171: III. Das GerichtRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Till Eulenspiegels lustige Streiche, Op. 28, TrV 171: IV. Urteil und HinrichtungRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Till Eulenspiegels lustige Streiche, Op. 28, TrV 171: V. EpilogRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Don Juan, Op. 20, TrV 156Richard Strauss, Gewandhausorchester, Andris Nelsons
Burleske, TrV 145Richard Strauss, Yuja Wang, Gewandhausorchester, Andris Nelsons
Don Quixote, Op. 35, TrV 184: I. Introduktion. Mäßiges ZeitmaßRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Don Quixote, Op. 35, TrV 184: II. Thema. Mäßig. “Don Quixote, der Ritter von der trauigen Gestalt”Richard Strauss, Yo-Yo Ma, Boston Symphony Orchestra, Andris Nelsons
Don Quixote, Op. 35, TrV 184: III. “Sancho Panza”. MaggioreRichard Strauss, Steven Ansell, Boston Symphony Orchestra, Andris Nelsons
Don Quixote, Op. 35, TrV 184: IV. Var. 1. GemächlichRichard Strauss, Yo-Yo Ma, Steven Ansell, Boston Symphony Orchestra, Andris Nelsons
Don Quixote, Op. 35, TrV 184: V. Var. 2. KriegerischRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Don Quixote, Op. 35, TrV 184: VI. Var. 3. Mäßiges ZeitmaßRichard Strauss, Yo-Yo Ma, Steven Ansell, Boston Symphony Orchestra, Andris Nelsons
Don Quixote, Op. 35, TrV 184: VII. Var. 4. Etwas breiterRichard Strauss, Yo-Yo Ma, Steven Ansell, Boston Symphony Orchestra, Andris Nelsons
Don Quixote, Op. 35, TrV 184: VIII. Var. 5. Sehr langsamRichard Strauss, Yo-Yo Ma, Boston Symphony Orchestra, Andris Nelsons
Don Quixote, Op. 35, TrV 184: IX. Var. 6. SchnellRichard Strauss, Yo-Yo Ma, Steven Ansell, Boston Symphony Orchestra, Andris Nelsons
Don Quixote, Op. 35, TrV 184: X. Var. 7. Ein wenig ruhiger als vorherRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Don Quixote, Op. 35, TrV 184: XI. Var. 8. GemächlichRichard Strauss, Yo-Yo Ma, Steven Ansell, Boston Symphony Orchestra, Andris Nelsons
Don Quixote, Op. 35, TrV 184: XII. Var. 9. Schnell und stürmischRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Don Quixote, Op. 35, TrV 184: XIII. Var. 10. Viel breiterRichard Strauss, Yo-Yo Ma, Steven Ansell, Boston Symphony Orchestra, Andris Nelsons
Don Quixote, Op. 35, TrV 184: XIV. Finale. Sehr ruhigRichard Strauss, Yo-Yo Ma, Boston Symphony Orchestra, Andris Nelsons
Also sprach Zarathustra, Op. 30, TrV 176: I. Prelude (Sonnenaufgang)Richard Strauss, Gewandhausorchester, Andris Nelsons
Also sprach Zarathustra, Op. 30, TrV 176: II. Von den HinterweltlernRichard Strauss, Gewandhausorchester, Andris Nelsons
Also sprach Zarathustra, Op. 30, TrV 176: III. Von der großen SehnsuchtRichard Strauss, Gewandhausorchester, Andris Nelsons
Also sprach Zarathustra, Op. 30, TrV 176: IV. Von den Freuden und LeidenschaftenRichard Strauss, Gewandhausorchester, Andris Nelsons
Also sprach Zarathustra, Op. 30, TrV 176: V. Das GrabliedRichard Strauss, Gewandhausorchester, Andris Nelsons
Also sprach Zarathustra, Op. 30, TrV 176: VI. Von der WissenschaftRichard Strauss, Gewandhausorchester, Andris Nelsons
Also sprach Zarathustra, Op. 30, TrV 176: VII. Der GenesendeRichard Strauss, Gewandhausorchester, Andris Nelsons
Also sprach Zarathustra, Op. 30, TrV 176: VIII. Das TanzliedRichard Strauss, Gewandhausorchester, Andris Nelsons
Also sprach Zarathustra, Op. 30, TrV 176: IX. Das NachtwandlerliedRichard Strauss, Gewandhausorchester, Andris Nelsons
Eine Alpensinfonie, Op. 64, TrV 233: No. 1, NachtRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Eine Alpensinfonie, Op. 64, TrV 233: No. 2, SonnenaufgangRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Eine Alpensinfonie, Op. 64, TrV 233: No. 3, Der AnstiegRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Eine Alpensinfonie, Op. 64, TrV 233: No. 4, Eintritt in den WaldRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Eine Alpensinfonie, Op. 64, TrV 233: No. 5, Wanderung neben dem BacheRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Eine Alpensinfonie, Op. 64, TrV 233: No. 6, Am WasserfallRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Eine Alpensinfonie, Op. 64, TrV 233: No. 7, ErscheinungRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Eine Alpensinfonie, Op. 64, TrV 233: No. 8, Auf blumige WiesenRichard Strauss, Boston Symphony Orchestra, Andris Nelsons
Richard Strauss, born in Munich in 1864, was a titan of late Romantic and early modern classical music, renowned for his innovative tone poems and operas. As a successor to the likes of Richard Wagner and Franz Liszt, Strauss' compositions are celebrated for their pioneering orchestration and advanced harmonic styles. His prolific career spanned over five decades, during which he composed 16 operas that continue to be widely performed today. Strauss' music, characterized by its dramatic intensity and rich orchestration, offers an immersive experience that transcends time, making him a dominant figure in classical music at the turn of the 20th century. His works, ranging from orchestral masterpieces to operatic triumphs, continue to captivate audiences worldwide. Strauss' legacy as a composer and conductor is a testament to his enduring influence on the world of classical music.