- Albums
- strauss: lieder - richard strauss
Strauss: Lieder
- 2007
- 28 tracks
- 1 uur, 9 min
- classical
Album Description
Immerse yourself in the enchanting world of Richard Strauss' Lieder, a collection of songs that showcase the composer's mastery of the vocal genre. This album, released in 2007, features a stunning array of 28 tracks, each a testament to Strauss' ability to blend exquisite melodies with profound poetic texts. Spanning a duration of 1 hour and 9 minutes, this album is a journey through the composer's early and mature works, offering a comprehensive exploration of his lyrical prowess.
The album opens with selections from "Letzte Blätter," Op. 10, a set of songs that Strauss composed in his late teens. These early works already hint at the lush harmonies and rich orchestration that would become hallmarks of his later compositions. The album also includes pieces from various other opus numbers, such as Op. 27, Op. 39, and Op. 48, each showcasing Strauss' versatility and depth as a songwriter.
Performances on this album are nothing short of stellar. The collaboration between Barbara Hendricks, the Philadelphia Orchestra, Wolfgang Sawallisch, and Ralf Gothoni brings Strauss' compositions to life with unparalleled sensitivity and artistry. The orchestral accompaniments are particularly noteworthy, adding layers of depth and texture to the vocal lines.
Strauss' Lieder are not just songs; they are intimate conversations between the composer and the listener, each note and lyric carefully crafted to evoke a range of human experiences. From the tender intimacy of "Zueignung" to the dramatic intensity of "Allerseelen," this album offers a rich tapestry of musical and poetic expression.
For fans of classical music, this album is a treasure trove of Strauss' lyrical genius. Whether you are a seasoned collector of German Lieder or a newcomer to the genre, this album provides a captivating introduction to the world of Richard Strauss' vocal works. The album's meticulous production and performances make it a standout in the genre, offering a timeless exploration of Strauss' lyrical artistry.
Tracks
- 8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: I. ZueignungRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: II. NichtsRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: III. Die NachtRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- Wer hat's getan? TrV 142: Wer hat's getan? TrV 142Richard Strauss, Jonas Kaufmann, Helmut Deutsch
- 5 Lieder, Op. 39, TrV 189: IV. BefreitRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 8 Gedichte aus "Letzte Blätter", Op. 10, TrV 141: VIII. AllerseelenRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 4 Lieder, Op. 27: I. Ruhe, meine SeeleRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 4 Lieder, Op. 27, TrV 170: II. CäcilieRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 4 Lieder, Op. 27, TrV 170: III. Heimliche AufforderungRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 4 Lieder, Op. 27, TrV 170: IV. Morgen!Richard Strauss, Jonas Kaufmann, Helmut Deutsch
- 5 Lieder, Op. 48: I. Freundliche VisionRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 6 Lieder, Op. 37, TrV 187: II. Ich liebe dichRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- Schlichte Weisen, Op. 21, TrV 160: I. All mein' GedankenRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- Schlichte Weisen, Op. 21, TrV 160: II. Du meines Herzens KröneleinRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- Schlichte Weisen, Op. 21, TrV 160: III. Ach Lieb, ich muss nun scheiden!Richard Strauss, Jonas Kaufmann, Helmut Deutsch
- Schlichte Weisen, Op. 21, TrV 160: IV. Ach weh mir unglückhaftem MannRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- Schlichte Weisen, Op. 21, TrV 160: V. Die Frauen sind oft fromm und stillRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 3 Lieder, Op. 29, TrV 172: I. Traum durch die DämmerungRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 3 Lieder, Op. 29, TrV 172: III. NachtgangRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 6 Lieder aus "Lotosblätter", Op. 19, TrV 152: I. Wozu noch, MädchenRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 6 Lieder aus "Lotosblätter", Op. 19, TrV 152: II. Breit' über mein HauptRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 6 Lieder aus "Lotosblätter", Op. 19, TrV 152: III. Schön sind, doch kalt die HimmelsterneRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 6 Lieder aus "Lotosblätter", Op. 19, TrV 152: IV. Wie sollten wir geheim sie haltenRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 6 Lieder aus "Lotosblätter", Op. 19, TrV 152: V. Hoffen und wieder verzagenRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 6 Lieder aus "Lotosblätter", Op. 19, TrV 152: VI. Mein Herz ist stummRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 5 Lieder, Op. 32, TrV 174: I. Ich trage meine MinneRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 5 Lieder, Op. 32, TrV 174: II. SehnsuchtRichard Strauss, Jonas Kaufmann, Helmut Deutsch
- 5 kleine Lieder, Op. 69, TrV 237: V. Schlechtes WetterRichard Strauss, Jonas Kaufmann, Helmut Deutsch
About Richard Strauss
Richard Strauss, born in Munich in 1864, stands as one of the most influential composers of the late Romantic and early modern eras. Known for his profound impact on the world of opera and orchestral music, Strauss's compositions are celebrated for their innovative orchestration and advanced harmonic style. His father, Franz Strauss, a renowned horn player, nurtured his son's exceptional musical talent from a young age. Strauss's repertoire is vast and diverse, ranging from the revolutionary opera "Salome" to the iconic tone poem "Also Sprach Zarathustra," which has become synonymous with grand cinematic scores. His operatic masterpieces, such as "Der Rosenkavalier," showcase his gift for melody and his ability to create memorable, emotionally resonant music. Strauss's contributions to the soprano voice are particularly notable, with works like "Four Last Songs" standing as testament to his enduring genius. Throughout his career, Strauss pushed the boundaries of musical expression, leaving an indelible mark on the classical music landscape.
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