Immerse yourself in the rich tapestry of choral music with Charles Villiers Stanford's latest compilation, "Partsongs, Pastorals and Folksongs." This exquisite collection, released on September 6, 2024, under the CORO label, showcases the masterful compositions of one of the most influential Anglo-Irish composers of the late 19th and early 20th centuries. With a duration of 1 hour and 15 minutes, this album is a testament to Stanford's enduring legacy, celebrating the centenary of his death with a selection of his most beloved and rarely heard works.
The album features a diverse range of pieces, including the enchanting "Six Irish Folksongs, Op. 78," which captures the essence of Irish folk music with Stanford's distinctive classical touch. The "Eight Partsongs, Op. 127" offer a harmonious blend of voices, showcasing Stanford's skill in creating intricate and beautiful choral arrangements. The "Six Elizabethan Pastorals, Set 1, Op. 49" transport listeners to a bygone era with their pastoral themes and lyrical melodies. Additionally, the "Nine Irish Folksongs" provide a deeper dive into Stanford's connection to his Irish heritage, featuring both traditional tunes and original compositions.
This release is performed by the renowned vocal ensemble The Sixteen, conducted by Harry Christophers, known for their impeccable precision and expressive performances. The album includes several premiere recordings, making it a significant addition to any classical music collection. Whether you are a longtime admirer of Stanford's work or a newcomer to his compositions, "Partsongs, Pastorals and Folksongs" offers a captivating exploration of his musical genius.
(C) 2024 The Sixteen Productions Ltd(P) 2024 The Sixteen Productions Ltd
Tracks
Six Irish Folksongs, Op. 78: No. 1, Oh! Breathe Not His NameCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Six Irish Folksongs, Op. 78: No. 2, What the Bee is to the Flow’retCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Six Irish Folksongs, Op. 78: No. 3, At the Mid Hour of NightCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Six Irish Folksongs, Op. 78: No. 4, The sword of ErinCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Six Irish Folksongs, Op. 78: No. 5, It is Not the TearCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Six Irish Folksongs, Op. 78: No. 6, Oh, The Sight EntrancingCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 1, PlightedCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 2, VenetaCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 3, When Mary Thro' the Garden WentCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 4, The HavenCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 5, The GuestCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 6, LarghettoCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 7, WilderspinCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Eight Partsongs, Op. 127: No. 8, To a TreeCharles Villiers Stanford, Mary Elizabeth Coleridge, The Sixteen, Harry Christophers
Six Elizabethan Pastorals, Set 1, Op. 49: No. 1, To His FlocksCharles Villiers Stanford, The Sixteen, Harry Christophers
Six Elizabethan Pastorals, Set 1, Op. 49: No. 2, DiapheniaCharles Villiers Stanford, Henry Constable, The Sixteen, Harry Christophers
Six Elizabethan Pastorals, Set 1, Op. 49: No. 3, Damon's PassionCharles Villiers Stanford, Thomas Lodge, The Sixteen, Harry Christophers
Six Elizabethan Pastorals, Set 1, Op. 49: No. 4, Sweet Love For MeCharles Villiers Stanford, Sir John Wotton, The Sixteen, Harry Christophers
Six Elizabethan Pastorals, Set 1, Op. 49: No. 5, Corydon, Arise!Charles Villiers Stanford, The Sixteen, Harry Christophers
Six Elizabethan Pastorals, Set 1, Op. 49: No. 6, PhoebeCharles Villiers Stanford, Thomas Lodge, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 1, 'Twas Pretty to be in BallinderryCharles Villiers Stanford, Alfred Perceval Graves, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 2, Come, Rest in This BosomCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 3, Silence is in Our Festal HallsCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 4, Wreathe the BowlCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 5, When She Answered MeCharles Villiers Stanford, Alfred Perceval Graves, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 6, She is Far From the LandCharles Villiers Stanford, Thomas Moore, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 7, St Mary's BellsCharles Villiers Stanford, Alfred Perceval Graves, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 8, Awake, Awake, FiannaCharles Villiers Stanford, Alfred Perceval Graves, The Sixteen, Harry Christophers
Nine Irish Folksongs: No. 9, Molly HewsonCharles Villiers Stanford, Alfred Perceval Graves, The Sixteen, Harry Christophers
Five Partsongs: No. 3, Emer's Farewell to Cucullain (Londonderry Air) - Bonus TrackCharles Villiers Stanford, Alfred Perceval Graves, The Sixteen, Harry Christophers
Charles Villiers Stanford, an Anglo-Irish composer, conductor, and music teacher, left an indelible mark on the late Romantic era. Born into a musically inclined family in Dublin, Stanford's journey took him from the halls of the University of Cambridge to the vibrant music scenes of Leipzig and Berlin. His compositions, particularly his choral works and requiems, are celebrated for their emotional depth and technical mastery. Stanford was not just a composer but also a mentor to many of Britain's finest musical talents, serving as Professor of Music at Cambridge and Professor of Composition at the Royal College of Music. His influence extended beyond his compositions, as he elevated the status of the Cambridge University Musical Society, attracting international stars to perform with it. Stanford's legacy endures, inspiring both scholars and enthusiasts alike with his rich musical heritage.
Vinylscout
Charles Villiers Stanford
