Stanford: A Song of Agincourt & Other Works

Dive into the rich tapestry of Charles Villiers Stanford's musical genius with this compelling collection, "A Song of Agincourt & Other Works." Released in 2019, this album showcases the masterful compositions of Stanford, a prominent figure in late Romantic era music. The album features a blend of choral and orchestral works, each piece meticulously crafted to evoke a sense of grandeur and depth.

The album opens with the dramatic "Overture in the Style of a Tragedy, Op. 90," setting the tone for the powerful and evocative pieces that follow. "Verdun (Orch. after Organ Sonata No. 2, Op. 151)" is a poignant tribute, divided into two movements that capture the solemnity and heroism of its namesake. The "Welcome March, Op. 87," adds a touch of festivity, while "Fairy Day, Op. 131" offers a whimsical interlude with its three enchanting movements.

The centerpiece of the album is "A Song of Agincourt, Op. 168," an orchestral fantasy composed in 1919. This work, imbued with a sense of triumph and reflection, is a testament to Stanford's ability to capture the spirit of his time. The album concludes with this powerful piece, leaving a lasting impression on the listener.

Performed by the Ulster Orchestra under the baton of Howard Shelley, this recording benefits from their exceptional musicianship and attention to detail. The album's duration of approximately one hour and five minutes ensures a comprehensive exploration of Stanford's diverse musical styles and themes.

This album is a testament to Charles Villiers Stanford's enduring legacy, offering a rich and immersive experience for both seasoned classical enthusiasts and those new to his work.

Charles Villiers Stanford, an Anglo-Irish composer, conductor, and music teacher, left an indelible mark on the late Romantic era. Born into a musically inclined family in Dublin, Stanford's journey took him from the halls of the University of Cambridge to the vibrant music scenes of Leipzig and Berlin. His compositions, particularly his choral works and requiems, are celebrated for their emotional depth and technical mastery. Stanford was not just a composer but also a mentor to many of Britain's finest musical talents, serving as Professor of Music at Cambridge and Professor of Composition at the Royal College of Music. His influence extended beyond his compositions, as he elevated the status of the Cambridge University Musical Society, attracting international stars to perform with it. Stanford's legacy endures, inspiring both scholars and enthusiasts alike with his rich musical heritage.