Squeeze Me

Dive into the rich, swinging world of jazz with Herb Ellis' "Squeeze Me," a captivating album released on February 24, 2015, under the Rare Jazz Recordings label. This collection is a testament to Ellis' mastery of jazz, cool jazz, and bebop, offering a diverse range of tracks that showcase his virtuosic guitar playing and musical versatility.

Spanning a generous 79 minutes, "Squeeze Me" features 20 tracks, including beloved standards like "Alexander's Ragtime Band," "Polka Dots and Moonbeams," and "What a Diff'rence a Day Made," alongside Ellis' own compositions and lesser-known gems. The album opens with the title track, "Squeeze Me," setting the stage for a journey through timeless tunes and hidden treasures.

Herb Ellis, a renowned guitarist and a key figure in the cool jazz movement, brings his unique blend of sophistication and swing to each track. His impeccable technique and warm tone shine through, whether he's interpreting a classic like "Cherry" or delivering an original like "Ellis in Wonderland." The album also includes collaborations with other jazz greats, adding depth and richness to the listening experience.

"Squeeze Me" is not just an album; it's a celebration of jazz in its many forms. From the upbeat energy of "Goose Grease" to the tender balladry of "Sweetheart Blues," Ellis and his fellow musicians create a dynamic and engaging soundscape. Whether you're a longtime fan of Herb Ellis or new to his music, "Squeeze Me" offers a delightful exploration of the jazz genre, showcasing the artistry and innovation that have made Ellis a beloved figure in the world of music.

Herb Ellis, born Mitchell Herbert Ellis, was a pioneering American jazz guitarist whose career spanned decades, leaving an indelible mark on the genre. Hailing from Farmersville, Texas, Ellis' journey began with the influence of Western swing and jazz, shaping his unique, blues-inflected style. He is perhaps best known for his tenure with the Oscar Peterson Trio from 1953 to 1958, where his nimble improvisations and distinctive swing feel complemented Peterson's prodigious piano playing. Ellis' collaborations extended beyond Peterson, including notable work with Ella Fitzgerald and Joe Pass, and he was a member of the esteemed Great Guitars ensemble. His compositions, such as "Detour Ahead" and "I Told Ya I Love Ya, Now Get Out," are jazz standards, showcasing his wit and musical prowess. Ellis' iconic use of a 1953 Gibson ES-175 further cemented his legacy, making him a beloved figure among jazz enthusiasts and musicians alike.